MARC record from Internet Archive

LEADER: 04283cam a2200577 i 4500
001 11915512
005 20160623142700.0
008 160518t20152015enka bc 001 0 eng c
015 $aGBB555670$2bnb
020 $a9781849763127$q(paperback)
020 $a1849763127$q(paperback)
020 $a9781849763318$q(hardback)
020 $a1849763313$q(hardback)
035 $a(OCoLC)ocn913793296
035 $a(OCoLC)913793296
035 $a(NNC)11915512
040 $aNLE$beng$erda$cNLE$dOCLCO$dMZA$dCIA$dOCLCO$dUKTTE$dBDX$dOCLCF$dSMI$dCUS$dOUN$dWVU$dGBVCP$dOCLCQ$dOSU
042 $apcc
043 $ae-uk---
050 4 $aNB497.H4$bA4 2015
082 04 $a730.92$223
245 00 $aBarbara Hepworth :$bsculpture for a modern world /$cedited by Penelope Curtis and Chris Stephens.
246 3 $aSculpture for a modern world
264 1 $aLondon, England :$bTate Publishing :$bDivision of Tate Enterprises,$c2015.
264 2 $aNew York :$bDistributed in the United States and Canada by Abrams
264 4 $c©2015
300 $a208 pages :$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition of the same name held at Tate Britain, 24th June-25th October, 2015, Kröller-Müller, Otterlo, Netherlands, 28th November, 2015-17th April, 2016, Arp Museum, Rolandseck, Bonn, Germany, 22nd May, 2016-28th August, 2016.
504 $aIncludes bibliographical references (pages 193-194) and index.
505 00 $gIntroduction /$rPenelope Curtis and Chris Stephens --$tCrafting modernism: Hepworth's practice in the 1920s /$rAnn Compton --$tReflections on a relationship: Barbara Hepworth and Ben Nicholson, the early years /$rLee Beard --$tBarbara Hepworth in print: acquiring an international reputation /$rValerie Holman --$t'An act of praise': religion and the work of Barbara Hepworth /$rLucy Kent --$tStaging scupture /$rSophie Bowness and Chris Stephens --$tMedia and movement: Barbara Hepworth beyond the lens /$rInga Fraser --$tThe guarea wood-carvings: between myth and reality /$rHelena Bonett --$tSculpting for an international community: exhibitions through the 1960s /$rRachel Smith --$tFrom Bridgwater to Otterlo: Hepworth, CIAM and 'the synthesis of the arts' /$rPenelope Curtis.
520 $aFrom its simple origins in her studio, Barbara Hepworth's abstract sculpture has become iconic, taking pride of place in museum collections worldwide and outside buildings such as the UN headquarters in New York. Celebrated throughout her career in Britain, she was also a leading figure in international modern art. This major exhibition charts her progress from the earliest surviving carvings to the large-scale bronzes of the 1960s. Among the highlights are four large sculptures in sumptuous African hardwood - the high point of her post-war carving career - reunited in one room. Uniquely, this retrospective shows the way Hepworth's work was presented or imagined in contexts such as the studio, the theatre, the landscape or with architecture. Alongside sculpture, it features rarely seen textiles, photographs, collages and film, and selected works by her peers and predecessors from Jacob Epstein to Henry Moore.--Tate website.
600 10 $aHepworth, Barbara,$d1903-1975$vExhibitions.
650 0 $aSculptors$zGreat Britain$vExhibitions.
600 14 $aHepworth, Barbara,$cDame,$d1903-1975.
600 17 $aHepworth, Barbara,$d1903-1975.$2fast$0(OCoLC)fst01898202
600 17 $aHepworth, Barbara,$d1903-1975.$2gnd$0(DE-601)079347347
650 7 $aPlastik$2gnd$0(DE-601)106198602
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aCurtis, Penelope,$eeditor.
700 1 $aStephens, Chris$c(Art museum curator),$eeditor.
700 12 $aHepworth, Barbara,$d1903-1975.$tWorks.$kSelections.
710 2 $aTate Modern (Gallery),$ehost institution.
710 2 $aKröller-Müller Museum,$ehost institution.
710 2 $aArp Museum (Remagen, Germany),$ehost institution.
710 2 $aTate Publishing (London, England),$epublisher.
710 2 $aHarry N. Abrams, Inc.,$edistributor.
852 00 $bfaxlc$hNB497.H4$iA4 2015g