MARC record from Internet Archive

LEADER: 04506cam 2200793 a 4500
001 ocm33438575
003 OCoLC
005 20190919023211.0
008 950613t19951995nyua b 001 0 eng d
010 $a 95079738
040 $aTxNacS$beng$cDLC$dTXK$dNLGGC$dBTCTA$dYDXCP$dGEBAY$dPSM$dGBVCP$dSHH$dACD$dOCLCF$dOCLCQ$dDEBBG$dSAP$dOCL$dOCLCQ$dAVA$dOCLCO$dHIR$dUAB$dOCLCQ$dOCLCA
019 $a1008018427$a1053976418$a1057070231$a1059808716$a1063915249$a1078824136$a1080765224$a1082199288$a1083406437
020 $a0810927071$q(pbk.)
020 $a9780810927070$q(pbk.)
020 $a0133600416
020 $a9780133600414
035 $a(OCoLC)33438575$z(OCoLC)1008018427$z(OCoLC)1053976418$z(OCoLC)1057070231$z(OCoLC)1059808716$z(OCoLC)1063915249$z(OCoLC)1078824136$z(OCoLC)1080765224$z(OCoLC)1082199288$z(OCoLC)1083406437
042 $alccopycat
050 04 $aN6490$b.T365 1995
082 00 $a709/.04$220
084 $a20.30$2bcl
084 $a20.00$2bcl
084 $aLH 65827$2rvk
100 1 $aTaylor, Brandon,$eauthor.
245 10 $aAvant-garde and after :$brethinking art now /$cBrandon Taylor.
264 1 $aNew York :$bHarry N. Abrams, Incorporated ;$aUpper Saddle River, New Jersey :$bPrentice Hall Inc.,$c[1995]
264 4 $c℗♭1995
300 $a176 pages :$billustrations (some color) ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPerspectives
504 $aIncludes bibliographical references (page 172) and index.
520 $a"Offering a critical perspective-rather than a traditional survey, this provocative text explores the art of the last twenty years-the latter 1970s, the 1980s, and the first half of the 1990s-in both a thematic and chronological fashion. Using an engaging and approachable style-and an abundance of color illustrations, it takes a long look at dominant tendencies in contemporary art in the United States, Western and Eastern Europe, and Russia-and provides a series of challenging view points on the most advanced art forms, themes, and issues."--Amazon.
505 0 $aIntroduction: Tradition and Avant-Garde -- 1. Alternatives to Modernism: the 1970s -- A new women's art -- Performance art -- The trials of conceptualism -- The spectre of affirmative painting -- 2. Painting and Politics: 1976-90 -- The return of the figure and of "expression" -- Expressionism contexted -- Something called "post-modernism" -- Painting and "the feminine" -- 3. Stolen Forms: 1976-90 -- Photography and gender -- objects and the market -- Painting and appropriation -- 4. Art within the Museum: the later 1980s -- Culture itself as subject -- Installation as decay -- The curator's part -- The power of the photograph -- A kind of publicity -- 5. Narrating Identity: the early 1990s -- The body and AIDS -- West-coast post-modernism -- Installations and the declasse -- Narrating the body -- The discourse of race -- 6. Coda: Future Prospects.
650 0 $aPostmodernism.
650 0 $aArt, Modern$y20th century.
650 0 $aArt and society.
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aPostmodernism.$2fast$0(OCoLC)fst01073164
650 17 $aAvant-garde.$2gtt
650 17 $aBeeldende kunsten.$2gtt
650 7 $aKunst$2gnd
650 7 $aArt, Modern$y20th century.$2ram
650 07 $aGeschichte 1970-1994.$2swd
648 7 $a1900-1999$2fast
648 4 $aGeschichte 1970-1994.
653 0 $aArt and society
653 0 $aArt, Modern$a20th century
653 0 $aGeschichte$a1970-1995
653 0 $aPostmodernism
776 08 $iOnline version:$aTaylor, Brandon.$tAvant-garde and after.$dNew York : H.N. Abrams, ℗♭1995$w(OCoLC)604856744
776 08 $iOnline version:$aTaylor, Brandon.$tAvant-garde and after.$dNew York : H.N. Abrams, ℗♭1995$w(OCoLC)607861048
830 0 $aPerspectives (Harry N. Abrams, Inc.)
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780810927070.pdf
938 $aBaker and Taylor$bBTCP$n95079738
938 $aYBP Library Services$bYANK$n708872
029 1 $aAU@$b000012158992
029 1 $aDEBBG$bBV011151511
029 1 $aGBVCP$b193626128
029 1 $aGEBAY$b2641572
029 1 $aNLGGC$b146968328
029 1 $aNZ1$b4348521
029 1 $aNZ1$b4815976
029 1 $aYDXCP$b708872
029 1 $aZWZ$b193300273
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 752 OTHER HOLDINGS