MARC record from Internet Archive

LEADER: 05882cam 2200901Ka 4500
001 ocn180773085
003 OCoLC
005 20201014224210.0
008 071106s2000 qucc ob 001 0 eng d
006 m o d
007 cr cn|||||||||
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020 $a9780773568600$q(electronic bk.)
020 $a0773568603$q(electronic bk.)
020 $z0773520767
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082 04 $a813/.5209971$221
100 1 $aKarr, Clarence,$d1941-
245 10 $aAuthors and audiences :$bpopular Canadian fiction in the early twentieth century /$cClarence Karr.
260 $aMontreal, Que. :$bMcGill-Queen's University Press,$c©2000.
300 $a1 online resource (xiv, 317 pages) :$bportraits
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record.
505 0 $aFive authors in a modern world -- The Golden Age -- Apprenticeships, writing and careers -- Authors, publishers and agents -- Ralph Connor, the Sky Pilot -- Robert Stead, Philosopher and artist -- Mellie Mcclung and Pearlie Watson -- Lucy Maud Montgomery and Anne -- Arthur Stringer, the debonair businessman -- Readers and reading -- books and movies -- Being Canadian.
520 1 $a"From the 1890s through the 1920s, the best-selling fiction of Ralph Connor, Robert Stead, Nellie McClung, Lucy Maud Montgomery, and Arthur Stringer was internationally recognized. In this intriguing cultural history of the conception, production, and reception of popular fiction, Clarence Karr challenges the common assumption that best-sellers are a conservative cultural influence, reflecting and promoting traditional values. By focusing on a society and its cultural leaders at a period when they were coming to grips with modernity, Karr provides a new perspective on culture and the interaction between readers and popular authors." "Authors and Audiences reveals the cultural milieu that gave rise to the golden age of hardcover fiction. Karr describes the relationships between authors, literary agents, and publishers in Toronto, London, New York, and other centers; examines the relationship between authors and the movie industry; and discusses the reception of fiction by critics and readers. This is the first Canadian study to use fan mail to highlight readers' interactions with author and text. Karr places the authors' careers in an international setting and shows how, despite living a considerable distance from the leading cultural production centers of New York and London, they became internationally recognized and read."--Jacket.
650 0 $aPopular literature$zCanada$xHistory and criticism.
650 5 $aCanadian fiction (English)$y20th century$xHistory and criticism.
650 6 $aRoman canadien-anglais$y20e siècle$xHistoire et critique.
650 6 $aParalittérature$zCanada$xHistoire et critique.
650 7 $aLITERARY CRITICISM$xAmerican$xGeneral.$2bisacsh
650 7 $aLITERARY COLLECTIONS$xCanadian.$2bisacsh
650 7 $aPopular literature.$2fast$0(OCoLC)fst01071405
651 7 $aCanada.$2fast$0(OCoLC)fst01204310
650 7 $aTrivialliteratur$2gnd
651 7 $aKanada$2gnd
650 07 $aProsa.$2swd
651 7 $aEnglisch.$2swd
648 7 $aGeschichte 1900-1950$2swd
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aKarr, Clarence, 1941-$tAuthors and audiences.$dMontreal ; Ithaca, [N.Y.] : McGill-Queen's University Press, ©2000$z0773520767$w(DLC) 2001277735$w(OCoLC)43317641
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856 40 $3JSTOR$uhttps://www.jstor.org/stable/10.2307/j.ctt7zr8n
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