MARC record from Internet Archive

LEADER: 03513cam 2200613Ja 4500
001 ocm30623536
003 OCoLC
005 20180819023950.0
008 940525s1995 nyu b 001 0 eng
010 $a 94021582
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019 $a33471322
020 $a0896761339
020 $a9780896761339
035 $a(OCoLC)30623536$z(OCoLC)33471322
050 00 $aPN2071.M6$bD46 1994
082 00 $a792/.028$220
084 $a24.12$2bcl
100 1 $aDennis, Anne.
245 14 $aThe articulate body :$bthe physical training of the actor /$cAnne Dennis.
260 $aNew York :$bDrama Book,$c1995.
300 $a208 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: The actor is perceived and theatre begins -- The physically articulate actor -- The actor in the performance space -- The actor's instrument -- Creating theatre -- The actor and other performance skills -- The actor in the eyes of the beholder -- Exercises for the preparation and development of the actor's body -- Becoming the physically articulate actor: exercises for using the instrument -- Mask workshop -- Ensemble acting workshop : group movement as an actor's technique -- Comedy workshop : an approach to comic acting.
530 $aAlso issued online.
520 $aLights go up, the actor takes the space, and is perceived by the audience. Communication has begun. The Articulate Body: The Physical Training of the Actor considers the unique responsibility of the actor to convey, through his physical being, the thoughts and feelings of the theatrical event. The actor's training must provide a process through which the actor gains the physical skill, imagination, and confidence necessary to be as articulate with his body as he is with words. This book attempts to re-think and analyse a contemporary actor's physical needs, looking at the actor's physical training not as a series of skills, but as a skill in itself, specific to the actor.
520 8 $aExercises are included to serve the actor, teacher, director, movement director and actor's choreographer as a point of departure in applying the principles and concepts of the book to their own work.
650 0 $aMovement (Acting)
650 0 $aActing$xStudy and teaching.
650 7 $aActing$xStudy and teaching.$2fast$0(OCoLC)fst00796162
650 7 $aMovement (Acting)$2fast$0(OCoLC)fst01028489
650 7 $aSchauspielunterricht$2gnd
650 7 $aSchauspieler$2gnd
650 17 $aActeurs.$2gtt
650 17 $aLichaamstaal.$2gtt
650 17 $aVisualisatie.$2gtt
650 07 $aSchauspielunterricht.$2swd
650 07 $aSchauspieler.$2swd
776 08 $iOnline version:$aDennis, Anne.$tArticulate body.$dNew York : Drama Book, 1995$w(OCoLC)623731230
938 $aBaker & Taylor$bBKTY$c19.95$d19.95$i0896761339$n0002389814$sactive
938 $aBaker and Taylor$bBTCP$n94021582
938 $aYBP Library Services$bYANK$n1018871
029 1 $aAU@$b000011001278
029 1 $aHEBIS$b040021785
029 1 $aHR0$b0896761339
029 1 $aNLGGC$b14377669X
029 1 $aNZ1$b4200158
029 1 $aUNITY$b024482862
029 1 $aYDXCP$b1018871
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 518 OTHER HOLDINGS