| Record ID | ia:actresspreparesw0000mala |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/actresspreparesw0000mala/actresspreparesw0000mala_marc.xml |
| Download MARC binary | https://www.archive.org/download/actresspreparesw0000mala/actresspreparesw0000mala_meta.mrc |
LEADER: 01200cam a22002898a 4500
001 2011026339
003 DLC
005 20120821082135.0
008 110715s2011 enk b 001 0 eng
010 $a 2011026339
020 $a9780415681568 (hardback : alk. paper)
020 $a9780415681575 (pbk. : alk. paper)
020 $a9780203144671 (e-book)
040 $aDLC$cDLC$dDLC
042 $apcc
050 00 $aPN2062$b.M35 2011
082 00 $a792.082$223
100 1 $aMalague, Rosemary$d1961-
245 13 $aAn actress prepares :$bwomen and "the method" /$cRosemary Malague.
260 $aLondon ;$aNew York :$bRoutledge,$c2011.
300 $ax, 254 p. ;$c24 cm.
504 $aIncludes bibliographical references (p. [224]-243) -and index.
505 0 $aThe "given circumstances" -- Emotional control: Lee Strasberg as "Big Daddy" of the method -- Script analysis: Stella Adler's feminist subtext -- Exercises in repetition: Sanford Meisner and "instinct" -- Respect for the actress: Uta Hagen on playing female roles -- The "magic if": forward-looking conclusions.
650 0 $aMethod acting.
650 0 $aFeminism and theater.
650 0 $aSex discrimination against women.
650 0 $aSexism.