MARC record from Internet Archive

LEADER: 01841cam a2200313Ia 4500
001 5452508
005 20221110040633.0
008 051012s2005 nyu 000 0 eng d
020 $a1584350202
035 $a(OCoLC)ocm62053426
035 $a(NNC)5452508
035 $a5452508
040 $aCOV$cCOV$dBAKER$dOrLoB-B
090 $aN72.T4$bL6 2005
100 1 $aLotringer, Sylvère.$0http://id.loc.gov/authorities/names/n87914766
245 14 $aThe accident of art /$cSylvère Lotringer and Paul Virilio.
260 $aNew York, N.Y :$bSemiotext (e) ;$aCambridge, Mass. :$bDistributed by MIT Press,$c2005.
300 $a119 pages ;$c22 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
490 1 $aSemiotext(e) foreign agents series
505 00 $tA pitiless art? --$tThe accident of art --$tThe museum of accidents.
520 1 $a"Urbanist and foremost theorist of technology, Paul Virilio trained as a painter, studying under Henri Matisse, Georges Braque, Bazaine, and de Stael. In The Accident of Art, his third extended conversation with Sylvere Lotringer, Virilio looks back on the century in order to address for the first time the impact of technology on contemporary art. This book completes a collaborative trilogy that began in 1983 with Pure War and continued in 2002 with Crepuscular Dawn, an examination of the collapse of space into speed in architecture and bio-technology."--BOOK JACKET.
650 0 $aArt$xPhilosophy.$0http://id.loc.gov/authorities/subjects/sh85007494
650 0 $aArt and technology.$0http://id.loc.gov/authorities/subjects/sh85007977
700 1 $aVirilio, Paul.$0http://id.loc.gov/authorities/names/n81010577
830 0 $aSemiotext(e) foreign agents series.$0http://id.loc.gov/authorities/names/n84736795
852 80 $bfax$hN72 E8$iL91
852 00 $bcomp$hN72.T4$iL6 2005g