| Record ID | ia:1930smakingofthe00otta |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/1930smakingofthe00otta/1930smakingofthe00otta_marc.xml |
| Download MARC binary | https://www.archive.org/download/1930smakingofthe00otta/1930smakingofthe00otta_meta.mrc |
LEADER: 04154cam 2200721 a 4500
001 ocn227914468
003 OCoLC
005 20191002083425.0
008 080506s2008 onca bc f000 0deng
010 $a 2008428942
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045 $ax2x4
050 00 $aN6493 1930$b.A14 2008
055 0 $aN6493 1930$bN56 2008
082 04 $a709.04/307471384$222
084 $a20.10$2bcl
084 $acci1icc$2lacc
084 $acoll14$2lacc
245 04 $aThe 1930s :$bthe making of "the new man" /$cedited by Jean Clair.
246 30 $aMaking of "the new man"
260 $a[Ottawa] :$bNational Gallery of Canada,$c2008.
300 $a396 pages :$billustrations (chiefly color) ;$c30 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIssued also in French under title: Les anne es 1930, la fabrique de "l'homme nouveau."
500 $a"Exhibition organized by Pierre The berge."
500 $aExhibition catalogue.
504 $aIncludes bibliographical references (pages 374-387).
505 00 $tCrowds and Power:$tThe Age of Dictatorships /$rJean Clair --$tAlready There but Yet to Come:$tThe New Man in Germany, 1918-45 /$rE ric Michaud --$tThe "New Man":$tDegeneracy and Regeneration /$rLaura Bossi --$tScience and Art in the 1930s and Beyond /$rSander L. Gilman --$tThe Body Politic:$tReality and Utopia /$rAnn Thomas --$tCrystal and Mud:$tAcademic Approaches to Figurative Representation of the Body /$rPhilippe Comar --$tMario Sironi and Fausto Pirandello:$tTwo Interpretations of the Idea of the "New Man" in the 1930s /$rClaudia Gian Ferrari --$tLife Distortions /$rDidier Ottinger --$t--Everything We Love Will Die-- /$rConstance Naubert-Riser --$tCatalogue:$g1.$tGenesis ;$g2.$t"Convulsive Beauty" ;$g3.$t"The Will to Power" ;$g4.$tThe Making of "The New Man" ;$g5.$tMother Earth ;$g6.$tThe Appeal of Classicism ;$g7.$t"Faces of Our Time" ;$g8.$t"Crowds and Power" ;$g9.$tThe Charnel House.
520 1 $a"On the heels of the Roaring Twenties, the 1930s, which spanned from the economic crisis of 1929 to the outbreak of the Second World War, was a dark decade. Beyond similiar governmental, mechanisms, these regimes shared an ideology: the will to create what they called the "New Man."" "This decade began with a more or less innocent dream of the theme of the original egg, germination, the harmonious growth of a fabric both biological and social, but ended with the nightmarish discovery of the corpses in the concentration camps by the armies of liberation in 1945"--Jacket.
650 0 $aArt, Modern$y20th century$xThemes, motives$vExhibitions.
650 6 $aArts$y20e sie cle$xThe mes, motifs$vExpositions.
650 7 $aArt, Modern$xThemes, motives.$2fast$0(OCoLC)fst00816663
648 7 $a1900-1999$2fast
655 4 $aExhibition catalogues.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aClair, Jean,$d1940-
700 1 $aThe berge, Pierre.
710 2 $aNational Gallery of Canada.
776 08 $iOnline version:$t1930s.$d[Ottawa] : National Gallery of Canada, 2008$w(OCoLC)609348955
938 $aBaker & Taylor$bBKTY$c75.00$d56.25$i0888848536$n0007793950$sactive
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938 $aCoutts Information Services$bCOUT$n8435532
938 $aYBP Library Services$bYANK$n2830548
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994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 237 OTHER HOLDINGS