MARC Record from harvard_bibliographic_metadata

LEADER: 02336cam a22004818i 4500
001 014167794-5
005 20140921224648.0
008 131122s2014 nyua b 001 0 eng
010 $a 2013047108
016 7 $a016741905$2Uk
020 $a9780199357161 (hardcover : alk. paper)
020 $a0199357161 (hardcover : alk. paper)
020 $a9780199357178 (pbk. : alk. paper)
020 $a019935717X (pbk. : alk. paper)
035 0 $aocn864789793
035 $a(PromptCat)40023971010
040 $aDLC$beng$erda$cDLC$dBDX$dYDXCP$dBTCTA$dUKMGB$dOCLCO$dZGO$dOCLCF
042 $apcc
050 00 $aML3790$b.B842 2014
082 00 $a781.4909$223
100 1 $aBurgess, Richard James,$eauthor.
245 14 $aThe history of music production /$cRichard James Burgess.
264 1 $aNew York :$bOxford University Press,$c2014.
300 $axiv, 245 pages ;$billustrations ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aBeginning -- The acoustic period -- The electric period -- Economic and societal overlay -- The studio is interactive -- The post World War II reconstruction of the recording industry -- Mobile music -- Expanding the palette -- Some key producers -- The sixties and seventies -- Toward the digital age -- The nineties -- Periods of standards and stability -- Deconstructing the studio -- Random access recording technology -- Transformative/disruptive technologies and the value of music -- Post-millennial business models -- The unfinished work.
650 0 $aSound recording industry$xHistory.
650 0 $aSound recordings$xProduction and direction$xHistory.
650 0 $aSound$xRecording and reproducing$xHistory.
650 0 $aSound recordings$xHistory.
650 0 $aMusic and technology.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
650 7 $aMusic and technology.$2fast$0(OCoLC)fst01030490
650 7 $aSound$xRecording and reproducing.$2fast$0(OCoLC)fst01126957
650 7 $aSound recording industry.$2fast$0(OCoLC)fst01127019
650 7 $aSound recordings.$2fast$0(OCoLC)fst01127034
650 7 $aSound recordings$xProduction and direction.$2fast$0(OCoLC)fst01127057
899 $a415_565328
988 $a20140921
906 $0DLC