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Record ID harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:228647435:1532
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:228647435:1532?format=raw

LEADER: 01532cam a2200397 i 4500
001 014166503-3
005 20141107185911.0
008 131022s2014 enka bq 001 0 eng
010 $a 2013038313
020 $a9780199366484 (hardcover : alk. paper)
020 $a9780199366491 (pbk. : alk. paper)
035 0 $aocn861335196
040 $aDLC$beng$cDLC$erda
042 $apcc
050 00 $aPN1995.9.O64$bF54 2014
082 00 $a791.43/6578$223
100 1 $aFleeger, Jennifer.
245 10 $aSounding American :$bHollywood, opera, and jazz /$cJennifer Fleeger.
264 1 $aOxford ;$aNew York :$bOxford University Press,$c[2014]
300 $ax, 220 pages :$billustrations ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aOxford music/media series
500 $aIncludes filmography.
504 $aIncludes bibliographical references (pages 183-197) and index.
505 0 $aArchiving America: sound technology and musical representation -- Opera cut short: from the castrato to the film fragment -- Selling jazz short: Hollywood and the fantasy of musical agency -- Opera and jazz in the score: toward a new spectatorship -- Conclusion.
650 0 $aMotion pictures and opera.
650 0 $aOpera in motion pictures.
650 0 $aJazz in motion pictures.
650 0 $aMusical films$xHistory and criticism.
830 0 $aOxford music/media series.
899 $a415_565471
899 $a415_565873
988 $a20140919
906 $0DLC