MARC Record from harvard_bibliographic_metadata

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008 100322s2010 enk b 001 0 eng
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016 7 $a015606153$2Uk
020 $a9781405188098
020 $a140518809X
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050 00 $aPR8711$b.C66 2010
082 00 $a820.9/9417$222
245 02 $aA companion to Irish literature /$cedited by Julia M. Wright.
246 30 $aIrish literature
260 $aChichester, West Sussex, U.K. ;$aMalden, MA :$bWiley-Blackwell,$c2010.
300 $a2 v. ;$c26 cm.
490 1 $aBlackwell companions to literature and culture ;$v71
490 1 $aBlackwell companions to literature and culture ;$v72
504 $aIncludes bibliographical references and index.
505 00 $gMachine generated contents note:$tb>VOLUME I. --$tAcknowledgments --$tNotes on Contributors. --$tIntroduction (Julia M. Wright, Dalhousie University). --$tPart I: The Middle Ages: --$t1. Táin Bó Cúailnge (Ann Dooley, University of Toronto). --$t2. Finn and the Fenian Tradition (Joseph Falaky Nagy, University of California, Los Angeles). --$t3. The Reception and Assimilation of Continental Literature (Barbara Lisa Hillers, Harvard University). --$tPart II: The Early Modern Era. --$t4. Bardic Poetry, Masculinity, and the Politics of Male Homosociality (Sarah E. McKibben, University of Notre Dame). --$t5. Annalists and Historians in Early Modern Ireland, 1450 -- 1700 (Bernadette Cunningham, Royal Irish Academy, Dublin). --$t6. "Hungry Eyes" and the Rhetoric of Dispossession: English Writing from Early Modern Ireland (Patricia Palmer, King's College London). --$t7. Kinds of Irishness: Henry Burnell and Richard Head (Deana Rankin, Royal Holloway, University of London).
505 00 $tPart III: The Eighteenth Century. --$t8. Crossing Acts: Irish Drama from George Farquhar to Thomas Sheridan (Helen M. Burke, Florida State University). --$t9. Parnell and Early Eighteenth-Century Irish Poetry (Andrew Carpenter, University College Dublin). --$t10. Jonathan Swift and Eighteenth-Century Ireland (Clement Hawes, University of Michigan). --$t11. Merriman's Cúirt An Mheonoíche and Eighteenth-Century Irish Verse (Liam P. Ó Murchú, National University of Ireland, Cork). --$t12. Frances Sheridan and Ireland (Kathleen M. Oliver, University of Central Florida). --$t13. "The Indigent Philosopher": Oliver Goldsmith: (James Watt, University of York). --$t14. Edmund Burke (Luke Gibbons, National University of Ireland, Maynooth). --$t15. The Drama of Richard Brinsley Sheridan (Robert W. Jones, University of Leeds). --$tPart IV: The Romantic Period. --$t16. United Irish Poetry and Songs (Mary Helen Thuente, North Carolina State University). --$t17. Maria Edgeworth and (Inter)national Intelligence (Susan Manly, University of St Andrews).
505 00 $t18. Mary Tighe: A Portrait of the Artist for the Twenty-First Century (Harriet Kramer Linkin, New Mexico State University). --$t19. Thomas Moore: After the Battle (Jeffery Vail, Boston University). --$t20. The Role of the Political Woman in the Writings of Lady Morgan, Sydney Owenson (Susan B. Egenolf, Texas A&M University). --$tPart V: The Rise of Gothic. --$t21. Charles Robert Maturin: Ireland's Eccentric Genius (Robert Miles, University of Victoria). --$t22. Joseph Sheridan Le Fanu: Gothic Grotesque and the Huguenot Inheritance (Alison Milbank, University of Nottingham). --$t23. A Philosophical Home Ruler: The Imaginary Geographies of Bram Stoker (Lisa Hopkins, Sheffield Hallam University). --$tPart VI: The Victorian Era. --$t24. Scribes and Storytellers: The Ethnographic Imagination in Nineteenth-Century Ireland (Stiofán Ó Cadhla, University College Cork). --$t25. Reconciliation and Emancipation: The Banims and Carleton (Helen O'Connell, Durham University). --$t26. Davis, Mangan, Ferguson: Irish Poetry, 1831 -- 1849 (Matthew Campbell, University of Sheffield).
505 00 $t27. The Great Famine in Literature, 1846 -- 1896 (Melissa Fegan, University of Chester). --$t28. Dion Boucicault: From Stage Irishman to Staging Nationalism (Scott Boltwood, Emory & Henry College). --$t29. Oscar Wilde's Convictions, Speciesism, and the Pain of Individualism (Dennis Denisoff, Ryerson University, Toronto). --$tIntroduction (Julia M. Wright, Dalhousie University). --$tPart VII: Transitions: Victorian, Revival, Modern. --$t30. Cultural Nationalism and Irish Modernism (Michael Mays, University of Southern Mississippi) --$t31. Defining Irishness: Bernard Shaw and the Irish Connection on the English Stage (Christopher Innes, York University, Toronto). --$t32. The Novels of Somerville and Ross (Vera Kreilkamp, Pine Manor College). --$t33. W.B. Yeats and the Dialectics of Misrecognition (Gregory Castle, Arizona State University). --$t34. John Millington Synge -- Playwright and Poet (Ann Saddlemyer, University of Toronto). --$t35. James Joyce and the Creation of Modern Irish Literature (Michael Patrick Gillespie, Florida International University).
505 00 $tPart VIII: Developments in Genre and Representation after 1930. --$t36. The Word of Politics/Politics of the Word: Immanence and Transdescendence in Sean O'Casey and Samuel Beckett (Sandra Wynands, Zayed University, Dubai). --$t37. Elizabeth Bowen: A Home in Writing (Eluned Summers-Bremner, University of Auckland, New Zealand). --$t38. Changing Times: Frank O'Connor and Seán O'Faoláin (Paul Delaney, Trinity College Dublin). --$t39. "Ireland is small enough": Louis MacNeice and Patrick Kavanagh (Alan Gillis, University of Edinburgh). --$t40. Irish Mimes: Flann O'Brien (Joseph Brooker, Birkbeck College, University of London). --$tPart IX: Debating Social Change after 1960. --$t41. Reading William Trevor and Finding Protestant Ireland (Gregory A. Schirmer, University of Mississippi). --$t42. The Mythopoeic Ireland of Edna O'Brien's Fiction (Maureen O'Connor, Mary Immaculate College, Limerick). --$t43. Anglo-Irish Conflict in Jennifer Johnston's Fiction (Silvia Diez Fabre, University of Burgos, Spain).
505 00 $t44. Living History: The Importance of Julia O'Faolain's Fiction (Christine St Peter, University of Victoria, Canada). --$t45. Holding a Mirror Up to a Society in Evolution: John McGahern (Eamon Maher, Institute of Technology, Tallaght, Dublin). --$tPart X: Contemporary Literature: Print, Stage, and Screen. --$t46. Brian Friel: From Nationalism to Post-Nationalism (F.C. McGrath, University of Southern Maine). --$t47. Telling the Truth Slant: The Poetry of Seamus Heaney (Eugene O'Brien, Mary Immaculate College, University of Limerick). --$t48. Belfast Poets: Michael Longley, Derek Mahon, and Medbh McGuckian (Richard Rankin Russell, Baylor University, Texas). --$t49. Eiléan Ní Chuilleanáin's Work of Witness (Guinn Batten). --$t50. Eavan Boland's Muse Mothers (Heather Clark, Marlboro College, Vermont). --$t51. John Banville's Dualistic Universe (Elke D'hoker, University of Leuven, Belgium). --$t52. Between History and Fantasy: The Irish Films of Neil Jordan (Brian McIlroy, University of British Columbia).
505 00 $t53. "Keeping That Wound Green": The Poetry of Paul Muldoon (David Wheatley, University of Hull). --$t54. Nuala Ní Dhomhnaill and the "Continuously Contemporary" (Frank Sewell, University of Ulster). --$t55. The Anxiety of Influence and the Fiction of Roddy Doyle (Danine Farquharson, Memorial University, St John's, Newfoundland). --$t56. The Reclamation of "Injurious Terms" in Emma Donoghue's Fiction (Jennifer M. Jeffers, Cleveland State University). --$t57. Martin McDonagh and the Ethics of Irish Storytelling (Patrick Lonergan, National University of Ireland, Galway).
650 0 $aEnglish literature$xIrish authors$xHistory and criticism.
650 0 $aEpic literature, Irish$xHistory and criticism.
650 0 $aIrish literature$xHistory and criticism.
651 0 $aNorthern Ireland$xIn literature.
651 0 $aIreland$xIn literature.
700 1 $aWright, Julia M.
830 0 $aBlackwell companions to literature and culture ;$v71.
830 0 $aBlackwell companions to literature and culture ;$v72.
899 $a415_565331
988 $a20140911
906 $0DLC