MARC Record from harvard_bibliographic_metadata

LEADER: 02957cam a2200457 i 4500
001 014115521-3
005 20140713224651.0
008 140211t20142014ilua b s001 0 eng
010 $a 2013047792
020 $a9780252038457 (hardback)
020 $a0252038452 (hardback)
020 $a9780252079955 (paper)
020 $a0252079957 (paper)
020 $z9780252096334 (ebook)
020 $z0252096339 (ebook)
035 0 $aocn861676489
035 $a(PromptCat)40023794183
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dBDX$dYDXCP$dIXA
042 $apcc
043 $ae------
050 00 $aPN1993.5.E8$bH34 2014
082 00 $a791.43/094$223
084 $aPER004030$aHIS010000$2bisacsh
100 1 $aHalle, Randall,$eauthor.
245 14 $aThe Europeanization of cinema :$binterzones and imaginative communities /$cRandall Halle.
264 1 $aUrbana :$bUniversity of Illinois Press,$c[2014]
264 4 $c©2014
300 $aviii, 224 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"In Europe and beyond, the moving image serves to imagine community and to instantiate a communal communicative space. These spaces do not not derive from harmonious but rather conflictual social configurations. To describe this space, Randall Halle presents the concept of interzone as a geographic and cultural space that develops through border crossings in the broadest sense, a place of transit, interaction, transformation, contentious and contested diveristy. To explore the communal communicative space made possible by cinema, Halle looks at cinematic relationships, especially European but also outside these borders. While treating German cinema as central, he also sweeps film production throughout central Europe, from the Baltic to the Sea of Marmara into the Mediterranean. In addition, Halle opens up a historical dimension that reaches from the pre-cinematic to contemporary post-film experiments with the moving image, from imperial Prussia to the role of European funding for contemporary films in Africa and Asia. Concentrating on the European Union's culture instead of its politics or economy, he combines analyses of films with their conditions of production, questions of both film aesthetics and financing. In this detailed investigation of cinematic space and place, Halle's themes come together to show cinema's ability to express multiple interzones in Europe and beyond"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 203-216) and index.
650 0 $aMotion pictures$zEurope$xHistory.
650 0 $aSpace and time in motion pictures.
650 7 $aPERFORMING ARTS / Film & Video / History & Criticism.$2bisacsh
650 7 $aHISTORY / Europe / General.$2bisacsh
899 $a415_565471
988 $a20140713
906 $0DLC