MARC Record from harvard_bibliographic_metadata

LEADER: 01940cam a2200373 a 4500
001 013087159-1
005 20131113062151.0
008 110805s2012 kyua b 001 0beng
010 $a 2011033168
020 $a9780813134222 (hardcover : alk. paper)
020 $a0813134226 (hardcover : alk. paper)
020 $a9780813134239 (ebook)
020 $a0813134234 (ebook)
035 0 $aocn724674787
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dDLC
042 $apcc
043 $an-us---
050 00 $aPN1998.3.I54$bT38 2012
082 00 $a791.4302/32092$aB$223
100 1 $aTaves, Brian,$d1959-
245 10 $aThomas Ince :$bHollywood's independent pioneer /$cBrian Taves.
260 $aLexington, Ky. :$bUniversity Press of Kentucky,$cc2012.
300 $axi, 367 p. :$bill. ;$c24 cm.
490 1 $aScreen classics
504 $aIncludes bibliographical references (p. 283-354) and index.
505 0 $aIntroduction -- Beginnings, 1880-1912. Stage apprenticeship -- Starting in films -- Making a reputation, 1912-1915. The job of a producer -- Establishing a studio -- Innovations, 1914-1917. Generic experimentation -- The prescient failure -- Paramount, 1917-1921. A fresh start -- The star series -- World War I and specials -- The perils of an independent, 1919-1924. Associated producers, 1919-1921 -- The inevitable merger, 1921-1922 -- War with First National, 1922 -- The studio resumes production, 1922-1923 -- Case study of a production and its personnel: Her reputation, 1922-1923 -- Initial distribution beyond First National, 1923 -- At the crossroads, 1923-1924 -- The steady hum of independent production, 1924 -- Epilogue.
600 10 $aInce, Thomas H.
650 0 $aMotion picture producers and directors$zUnited States$vBiography.
730 0 $aProject Muse UPCC books$5net
830 0 $aScreen classics (Lexington, Ky.)
899 $a415_565393
899 $a415_565232
988 $a20120201
906 $0DLC