MARC Record from harvard_bibliographic_metadata

LEADER: 02720cam a2200337Ia 4500
001 013086702-0
005 20120201104910.0
008 100922s2012 enka b 001 0 eng d
015 $aGBB121993$2bnb
016 7 $a015753704$2Uk
020 $a9781861898203 (pbk.)
020 $a1861898207 (pbk.)
035 0 $aocn751535052
040 $aUKMGB$beng$cUKMGB$dYDXCP$dAN#$dSNN$dBWX
050 4 $aND673.E9$bH37 2012
082 04 $a759.9493$222
090 $aND673.E9$bH37 2012
100 1 $aHarbison, Craig.
245 10 $aJan van Eyck :$bthe play of realism /$cCraig Harbison.
250 $a2nd updated and expanded ed.
260 $aLondon :$bReaktion,$c2012.
300 $a317 p. :$bill. (some col.) ;$c22 cm.
500 $aPrevious ed.: 1991.
504 $aIncludes bibliographical references (p. 284-304) and index.
505 00 $g1. Introduction --$g2.$tVan Eyck's Realism --$g3.$tThe Artist's Place at the Burgundian Court --$g4.$tAn Italian Courtier's Story --$g5.$tThe Ecclesiastical Compact of a Secular Canon --$g6.$tPrivate Devotion in a Schismatic Church --$g7.$tThe Function of Religious Belief for van Eyck --$g8.$tThe Doctrine of Mary --$g9.$tThe Sacrament of the Altar --$g10.$tThe Patrons of Domestic Religious Imagery --$g11.$tThe Confession of Chancellor Nicolas Rolin --$g12.$tPatronage by Burgundian Court Functionaries --$g13.$tLiterary Sources for van Eycks Art --$g14.$tPhysical Format and Verbal Inscription --$g15.$tA Litany to the Sacred Heart of Jesus --$g16.$tArchitectural Style and Sculptural Symbolism --$g17.$tVan Eyck's Modern Icon --$g18.$tThe Image and Experience of Pilgrimage --$g19.$tPretence and Scepticism in the Fifteenth Century --$g20.$tA Different Perspective in the Ghent Altarpiece --$g21.$tThe Interpretation of Early Netherlandish Painting --$gAfterword:$tJan van Eyck, Modern Painter --$gBibliographic Commentary --$gBibliography --$gAcknowledgements --$gList of Illustrations --$gIndex.
520 $aThe surviving work of Flemish painter Jan van Eyck (c. 1395-1441) consists of a series of painstakingly detailed oil paintings of astonishing verisimilitude. Most explanations of the meanings behind these paintings have been grounded in a disguised religious symbolism that critics have insisted is foremost. But in Jan van Eyck, Craig Harbison sets aside these explanations and turns instead to the neglected human dimension he finds clearly present in these works. Harbison investigates the personal histories of the true models and participants who sat for such masterpieces as the Virgin and Chil.
600 10 $aEyck, Jan van,$d1390-1440$xCriticism and interpretation.
650 0 $aRealism in art.
899 $a415_565541
988 $a20120201
906 $0OCLC