MARC Record from harvard_bibliographic_metadata

LEADER: 01639cam a2200361 a 4500
001 013079675-1
005 20120218004649.0
008 110420s2011 miu b s001 0 eng
010 $a 2011014824
016 7 $a015847257$2Uk
020 $a9780472117819 (cloth : alk. paper)
020 $a0472117815 (cloth : alk. paper)
035 $a(PromptCat)99946697569
035 0 $aocn687681373
040 $aDLC$beng$cDLC$dBTCTA$dERASA$dYDXCP$dBWX$dUKMGB$dYHM$dCDX$dC#P
042 $apcc
043 $an-us---
050 00 $aPN4151$b.H64 2011
082 00 $a811$222
100 1 $aHoffman, Tyler.
245 10 $aAmerican poetry in performance :$bfrom Walt Whitman to hip hop /$cTyler Hoffman.
260 $aAnn Arbor :$bUniversity of Michigan Press,$cc2011.
300 $a271 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Walt Whitman "live": performing the public sphere -- The ordeal of Vachel Lindsay, or the cultural politics of the spoken word -- "The Black man speaks": Langston Hughes, the new Negro, and the sounds of citizenship -- Beat acoustics, presence, and resistance -- "Rappin' and readin'": the frequencies of the Black arts -- Slam nation: immediacy, mediatization, and the counterpublic sphere.
650 0 $aPerformance poetry$zUnited States$xHistory and criticism.
650 0 $aOral interpretation of poetry.
650 0 $aAmerican poetry$xHistory and criticism.
650 0 $aAmerican poetry$xAfrican American authors$xHistory and criticism.
650 0 $aPoetry slams$zUnited States$xHistory.
899 $a415_565446
988 $a20120127
906 $0DLC