MARC Record from harvard_bibliographic_metadata

LEADER: 02130nam a22004098a 4500
001 013590040-9
005 20131108112748.0
008 120703s2012 txua b s001 0 eng
010 $a 2012025848
020 $a9780292739741 (cloth : alk. paper)
035 0 $aocn783173317
035 0 $aocn825109326
040 $aDLC$cDLC$dDLC
042 $apcc
043 $an-us---
050 00 $aPN1997.S63337$bS64 2012
082 00 $a791.43/6552$223
100 1 $aSperb, Jason,$d1978-
245 10 $aDisney's most notorious film :$brace, convergence, and the hidden histories of Song of the South /$cby Jason Sperb.
250 $a1st ed.
260 $aAustin :$bUniversity of Texas Press,$c2012.
300 $a278 p. :$bill. ;$c24 cm.
500 $aOriginally presented as the author's thesis (doctoral)--Indiana University, 2009.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Conditions of possibility: the Disney Studios, postwar "thermidor," and the ambivalent origins of Song of the South -- "Put down the mint julep, Mr. Disney": postwar racial consciousness and Disney's critical legacy in the 1946 reception of Song of the South -- "Our most requested movie": media convergence, black ambivalence, and the reconstruction of Song of the South -- A past that never existed: coonskin, post-racial whiteness, and rewriting history in the era of Reaganism -- On tar babies and honey pots: Splash Mountain, "Zip-a-dee-doo-dah," and the transmedia dissipation of Song of the South -- Reassuring convergence: new media, nostalgia, and the internet fandom of Song of the South -- Conclusion.
630 00 $aSong of the South (Motion picture)
610 20 $aWalt Disney Productions.
650 0 $aRace relations in motion pictures.
650 0 $aAfrican Americans in motion pictures.
650 0 $aStereotypes (Social psychology) in motion pictures.
650 0 $aMotion picture audiences$zUnited States.
650 0 $aConvergence (Telecommunication)
730 0 $aProject Muse UPCC books$5net
899 $a415_565232
899 $a415_565162
988 $a20130111
906 $0DLC