| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:474085325:2549 |
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LEADER: 02549cam a22004098i 4500
001 013414958-0
005 20130504133529.0
008 120517t20132013caua b s001 0 eng
010 $a 2012020327
016 7 $a016130877$2Uk
020 $a9780520273399 (hardback)
020 $a0520273397 (hardback)
035 0 $aocn788263441
040 $aDLC$erda$beng$cDLC$dBTCTA$dBDX$dERASA$dUKMGB$dOCLCO$dCUZ
042 $apcc
043 $ae-fr---
050 00 $aND553.C33$bD59 2013
082 00 $a759.4$223
084 $aART015100$2bisacsh
100 1 $aDombrowski, André,$d1973-
245 10 $aCézanne, murder, and modern life /$cAndre Dombrowski.
260 $aBerkeley :$bUniversity of California Press,$c©2013, [2013].
300 $a309 pages :$billustrations ;$c26 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aPhillips book prize series ;$v3
520 $a"Cezanne, Murder and Modern Life offers an original approach to early French modernism, one informed by the art's unprecedented psychological intensity. Focusing on the early work of Paul Cezanne, it offers a competing version for modern painting rooted in the evocation of emotive "expression," emblematized by scenes of murder, sexual violence, and anxious domesticity. Mobilizing contexts rarely brought to bear on our understanding of art in the age of Impressionism, let alone the work of Cezanne, this book investigates the "culte du moi" and the conceptions of authorial function in art and literature, theories of neo-romanticism and early symbolism of the 1860s, as well as psycho-physiological analyses of the human mind and other positivist theories of modern sociality and instinctuality popularized during the Second Empire and early Third Republic"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 00 $tViolent beginnings: The Murder --$t"I is another": Self-portraiture and the modernization of Olympia --$tPoetry, portraiture, and interiority: Paul Alexis Reading to Émile Zola --$tArt arranged for piano: The Overture to "Tannhäser" --$tThe emperor's last clothes: Cézanne, fashion, and l'année terrible --$tEpilogue: The end of violence.
650 7 $aART / History / Modern (late 19th Century to 1945)$2bisacsh
600 10 $aCézanne, Paul,$d1839-1906$xCriticism and interpretation.
650 0 $aModernism (Art)$zFrance.
830 0 $aPhillips book prize series ;$v3.
899 $a415_565631
988 $a20121109
906 $0DLC