MARC Record from harvard_bibliographic_metadata

LEADER: 02744cam a2200289 a 4500
001 013384160-X
005 20121023141701.0
008 001102r20001997enkab b 001 0 eng
015 $aGBA0-68764
020 $a0262661136
020 $a9780262661133
035 0 $aocm45337530
040 $aUKM$cUKM$dOCLCQ$dBAKER$dYDXCP$dOCLCG$dBDX
050 4 $aNA2700$b.P4 2000
082 04 $a720.222$221
100 1 $aPérez Gómez, Alberto,$d1949-
245 10 $aArchitectural representation and the perspective hinge /$cAlberto Pérez-Gómez, Louise Pelletier.
260 $aCambridge, Mass. ;$aLondon :$bMIT Press,$cc1997$g(2000 [printing])
300 $a505 p. :$bill., map ;$c23 cm.
504 $aIncludes bibliographical references (p. [456]-497) and index.
505 0 $aPrelude. Mapping the question: the perspective hinge. Translation vs. transcription -- Architectural meaning and the tools of the architect -- Theories of vision and the reciprocity between seeing and being seen -- From natural perspective to artificial construction -- Binocular vision -- Sectioning the cone of vision: the nature of theory -- The science of the observer -- Back to modernity and beyond -- Casting light onto modernity -- From instrumental representation to collective participation? Variation one: Architectural representation and the distorted image. Against a progressive history of the image -- Scenographia and optical correction from Vitruvius to Perrault -- Model and scenography -- Sciographia and projected shadows -- The extent of infinity -- Relocating anamorphosis -- Constructing a distorted order -- When the center becomes peripheral -- The confrontation between theory and practice. Variation Two. Cosmological perspectives. Setting the world in motion -- Redefining a hierarchical universe -- Recentering the world -- Eccentric point of view -- Perspective fantaisies -- A world of scientific light and objective shadows -- Framing the earth -- Cosmological volumes -- Truth as measurement: fortifications and isometry. Variation Three. The image without an obsever in scopophilic world. Between darkness and light -- From perspectivism to pure objectivity -- From physics to pataphysics -- The perspective hinge -- From measurement to abstraction: isometry and axonometry -- The reversibility of axonometry -- The collapse of the image and represented object -- Axonometry as collage: Le Corbusier's Poeme de l'angle droit -- Time into lived space: Le Corbusier's La Tourette. Coda. Projection revisited: the reversibility of optics -- Digital space -- Philosophical corollary
650 0 $aPerspective.
650 0 $aArchitectural drawing.
700 1 $aPelletier, Louise,$d1963-
899 $a235_439315
988 $a20121022
906 $0OCLC