MARC Record from harvard_bibliographic_metadata

LEADER: 01784cam a2200349 a 4500
001 013367878-4
005 20131113064147.0
008 111207s2012 ilu b 001 0 eng c
010 $a 2011050539
020 $a9780810128330 (cloth : alk. paper)
035 0 $aocn764364114
040 $aIEN/DLC$cIEN$dDLC
042 $apcc
043 $ae-ur---
050 00 $aML3497$b.P53 2012
082 00 $a782.421640947$223
100 1 $aPlatonov, Rachel S.
245 10 $aSinging the self :$bguitar poetry, community, and identity in the post-Stalin period /$cRachel S. Platonov.
260 $aEvanston, Ill. :$bNorthwestern University Press,$c2012.
300 $axi, 271 p. ;$c25 cm.
490 1 $aStudies in Russian literature and theory
504 $aIncludes bibliographical references (p.237-259) and index.
505 00 $gContexts$tBeyond the Soviet sixties : the origins and contexts of guitar poetry --$tGray zones : theories of marginality in a Russian-Soviet context --$gGuitar poetry's selves and communities --$tGuitar poetry and the creation of lichnost' --$tThe "KSP state" : audience reception, self-fashioning, and "conversations between friends" --$gLyrical marginalities and beyond --$tOvert marginality : antisovetchina --$tCovert marginality : the significance of insignificance --$tGenre-bending and "hypergenericity".
650 0 $aPopular music$xSocial aspects$zSoviet Union.
650 0 $aMarginality, Social$zSoviet Union.
650 0 $aSongs, Russian$y20th century$xHistory and criticism.
650 0 $aPopular music$xSocial aspects$zSoviet Union$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
730 0 $aProject Muse UPCC books$5net
830 0 $aStudies in Russian literature and theory.
988 $a20121003
906 $0OCLC