MARC Record from harvard_bibliographic_metadata

LEADER: 02257cam a2200493 a 4500
001 013347257-4
005 20120911111341.0
008 080318r20082002nyua b 001 0 eng
015 $aGBA852914$2bnb
016 7 $a014576409$2Uk
020 $a9780810995543 (pbk.)
020 $a0810995549 (pbk.)
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040 $aUKM$beng$cUKM$dYDXCP$dBAKER$dOAC$dAU@$dPAU$dDEBBG$dOCL$dBTCTA$dJHY$dBDX$dORX
042 $aukblcatcopy
050 4 $aN7430.5$b.L54 2008
082 04 $a750.18$222
084 $aCC 6900$2rvk
084 $aCP 2500$2rvk
084 $aLH 70100$2rvk
100 1 $aLivingstone, Margaret.
245 10 $aVision and art :$bthe biology of seeing /$cby Margaret Livingstone ; foreword by David Hubel.
260 $aNew York :$bAbrams,$c2008.
300 $a208 p. :$bill. (chiefly col.) ;$c28 cm.
500 $aOriginally published: 2002.
504 $aIncludes bibliographical references and index.
520 $aA Harvard neurobiologist explains how vision works, citing the scientific origins of artistic genius and providing coverage of such topics as optical illusions and the correlation between learning disabilities and artistic skill.
505 0 $aFiat lux: let there be light -- The eye and color vision -- Luminance and night vision -- The first stages of processing color and luminance: where and what -- Acuity and spatial resolution: central and peripheral vision -- The next level of color processing: surround effects -- From 3-D to 2-D: Perspective -- From 3-D to 2-D: Shading and chiaroscuro -- From 3-D to 2-D: stereopsis -- Illusions of motion -- Color mixing and color resolution -- Television, movies, and computer graphics -- Epilogue: talent, music, and learning disabilities.
650 0 $aVisual perception.
650 0 $aArt$xPsychology.
650 0 $aArt$xTechnique.
650 07 $aFarbensehen.$2swd
650 07 $aKunstbetrachtung.$2swd
650 07 $aKunstpsychologie.$2swd
650 07 $aMalerei.$2swd
650 07 $aVisuelle Wahrnehmung.$2swd
650 7 $aPerception.$2sears
650 7 $aColor sense.$2sears
650 7 $aVision.$2sears
650 7 $aPainting$xPsychology.$2sears
899 $a415_565300
899 $a235_439319
988 $a20120911
906 $0OCLC