MARC Record from harvard_bibliographic_metadata

LEADER: 02153cam a2200361Ia 4500
001 013306569-3
005 20140110125151.0
008 101101s2012 be ag b 000 0 eng d
016 7 $a016092636$2Uk
020 $a9789058678454
020 $a9058678458
035 0 $aocn676870353
040 $aERASA$beng$cERASA$dOCLCQ$dBTCTA$dYDXCP$dBDX$dOHX$dCDX$dOCLCO$dQGK$dUKMGB$dKLM$dBWX$dUAB$dRES$dZCU$dMYG$dTDF
050 4 $aML410.M93$bD73 2012
072 7 $aML$2lcco
082 04 $a780
245 00 $aDramma Giocoso :$bfour contemporary perspectives on the Mozart/Da Ponte operas /$cJulian Rushton ... [et al.].
260 $a[Leuven] :$bLeuven University Press,$c2012.
300 $a143 p. :$bill., music ;$c24 cm.
490 1 $aCollected writings of the Orpheus Institute ;$v10
504 $aIncludes bibliographical references.
505 0 $a'By their arias shall ye know them' : characterization in aria-based opera / Julian Rushton -- Don Ottavio and the history of the tenor voice / Stefan Rohringer -- Don Giovanni then and now : text and performance / Sergio Durante -- The Act IV finale of Le nozze di Figaro : dramatic and musical construction / James Webster.
520 8 $aIn exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, this collection of studies does not shun approaches that have foundations in established theory, but refracts them through such problems as the tension between operatic tradition and psychological realism, the co-existence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions, but also probe the nature of musical analysis itself.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791$xCriticism and interpretation.
600 10 $aDa Ponte, Lorenzo,$d1749-1838$xCriticism and interpretation.
650 0 $aOpera.
650 0 $aMusical analysis.
700 1 $aRushton, Julian.
830 0 $aCollected writings of the Orpheus Institute ;$v10.
899 $a415_565573
988 $a20120717
049 $aHMUU
906 $0OCLC