MARC Record from harvard_bibliographic_metadata

LEADER: 03947cam a2200409 a 4500
001 013284040-5
005 20131113064249.0
008 110613s2012 ilua bq s001 0 eng
010 $a 2011024180
016 7 $a016050358$2Uk
020 $a9780809330959 (pbk. : alk. paper)
020 $a0809330954 (pbk. : alk. paper)
020 $a9780809330973 (ebook)
020 $a0809330970 (ebook)
035 0 $aocn724662740
035 $a(PromptCat)40020749523
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043 $an-us---
050 00 $aPN1995.9.H6$bP55 2012
082 00 $a791.43/6164$223
100 1 $aPhillips, Kendall R.
245 10 $aDark directions :$bRomero, Craven, Carpenter, and the modern horror film /$cKendall R. Phillips.
260 $aCarbondale :$bSouthern Illinois University Press,$cc2012.
300 $axi, 215 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references and index.
504 $aIncludes filmography.
505 0 $aIntroduction: auteur, genre, and the rhetorics of horror -- Unconstrained bodies in the films of George Romero. The body as contrast: Romero's Living dead -- The body as site of struggle: The crazies, Monkey shines, The dark half, Bruiser -- Romero's mythic bodies: Martin and Knightriders -- Gothic dimensions in the films of Wes Craven. Craven's gothic form: nightmares, screams, and monsters -- Gothic technologies: Serpent and the rainbow, Deadly friend, Swamp thing, Red eye, Shocker -- Gothic families: The people under the stairs, The hills have eyes, Last house on the left -- Desolate frontiers in the films of John Carpenter. Sites under siege: Dark star, Assault on Precinct 13, The thing, Village of the damned -- Forbidden thresholds: The fog, Ghosts of Mars, Halloween, Prince of darkness, In the mouth of madness -- Drifters in desolation: Big trouble in Little China, Vampires, They live, Escape from New York, Escape from L.A. -- Conclusion.
520 $aA Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers' psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films' directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film. Phillips begins by analyzing the works of George Romero, focusing on how the body is used cinematically to reflect the duality between society and chaos, concluding that the unconstrained bodies of the Living Dead films act as a critical intervention into social norms. Phillips then explores the shadowy worlds of director Wes Craven. In his study of the films The Serpent and the Rainbow, Deadly Friend, Swamp Thing, Red Eye, and Shocker, Phillips reveals Craven's vision of technology as inherently dangerous in its ability to cross the gossamer thresholds of the gothic. Finally, the volume traverses the desolate frontiers of iconic director John Carpenter. Through an exploration of such works as Halloween, The Fog, and In the Mouth of Madness, Phillips delves into the director's representations of boundaries--and the haunting consequences for those who cross them. The first volume ever to address these three artists together, Dark Directions is a spine-tingling and thought-provoking study of the horror genre. In analyzing the individual works of Romero, Craven, and Carpenter, Phillips illuminates some of the darkest minds in horror cinema.
650 0 $aHorror films$zUnited States$xHistory and criticism.
600 10 $aRomero, George A.$xCriticism and interpretation.
600 10 $aCraven, Wes$xCriticism and interpretation.
600 10 $aCarpenter, John,$d1948-$xCriticism and interpretation.
730 0 $aProject Muse UPCC books$5net
899 $a415_565232
988 $a20120707
906 $0DLC