MARC Record from harvard_bibliographic_metadata

LEADER: 02170cam a2200325Ma 4500
001 013225562-6
005 20120723153600.0
008 110711s2011 enka bc 000 0 eng d
020 $a9781906257095 (hbk.)
020 $a1906257094 (hbk.)
035 0 $aocn850907904
035 0 $aocn772197070
040 $aERASA$cSTF$dCGU$dCUY$dYDXCP$dCDX$dBWX$dBWK$dYNK
050 4 $aNB497.G65$bA4 2011a
100 1 $aGormley, Antony.
245 10 $aAntony Gormley :$bstill standing.
246 3 $aStill standing
246 18 $aVo vesʹ rost
260 $aLondon :$bFontanka,$c2011.
300 $a127 p. :$bill. (some col.) ;$c27 cm.
500 $aCatalogue of an exhibition held at the State Hermitage Museum, St. Petersburg, Sept. 23, 2011- Jan. 15, 2012.
504 $aIncludes bibliographical references (p. 123-125).
520 $aThis book is made up of 10 classical sculptures from the Hermitage Museum, removed from their plinths and repositioned to share a raised floor with the viewer; and 17 highly abstracted body-forms by Antony Gormley. The idea is to juxtapose ancient, idealized statues with Gormley's more disinterested sculptures and see whether, in Gormley's work, the abstract language of Euclidean geometry can make a shelter for feeling, and whether, in the case of the classical works, demounting and putting the viewer on the same level as their original makers can re-establish them as made things. The interaction of the public, captured in documentary photographs, is key to a project that aims to show how classical marbles, Gormley's own sculptures and the living human visitors inhabit the same space and can converse with each other. Exhibition: Hermitage Museum, St Petersburg, autumn 2011.
505 00 $tAntony Gormley works --$tStill standing /$rMargaret Iverson --$tGod's body /$rDimitri Ozerkov interviews Antony Gormley --$tClassical works --$tThe body of a sculptor /$rDimitri Ozerkov --$tFace to face with classical antiquity /$rAnna Trofimova.
600 10 $aGormley, Antony$vExhibitions.
650 0 $aSculpture$vExhibitions.
710 2 $aGosudarstvennyĭ Ėrmitazh (Russia)
899 $a415_565947
988 $a20120605
906 $0OCLC