| Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:220940256:1250 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:220940256:1250?format=raw |
LEADER: 01250cam a2200361Ma 4500
001 013185339-2
005 20120604133221.0
008 110811s2012 enka b 001 0 eng d
015 $aGBB197388$2bnb
016 7 $a015869779$2Uk
016 7 $a016027347$2Uk
020 $a9781848851757 (pbk.)
020 $a1848851758 (pbk.)
020 $a178076216X
020 $a9781780762166
035 0 $aocn751754386
040 $aUKMGB$beng$cUKMGB$dCDX$dYDXCP$dCIA$dBWX$dBTCTA$dERASA$dBDX$dKIJ
050 4 $aPN1995.9.T55$bP69 2012
082 04 $a791.43684$223
100 1 $aPowell, Helen.
245 10 $aStop the clocks! :$btime and narrative in cinema /$cHelen Powell.
260 $aLondon ;$aNew York :$bI.B. Tauris,$c2012.
300 $a183 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. [165]-177) and index.
505 0 $aIntroduction: Cinema as time machine -- Real time -- Future time -- Dreaming time -- Consuming time -- Fractured time -- Time in the digital age.
650 0 $aTime in motion pictures.
650 0 $aClocks and watches in motion pictures.
650 0 $aMotion pictures$xHistory.
650 0 $aNarration (Rhetoric)
899 $a415_565471
988 $a20120515
049 $aHLSS
906 $0OCLC