Record ID | harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:206657772:2625 |
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LEADER: 02625cam a22003854a 4500
001 013173763-5
005 20120409093159.0
008 110517s2012 inua b 001 0 eng
010 $a 2011021186
015 $aGBB1B5640$2bnb
016 7 $a015903351$2Uk
020 $a9780253356925 (cloth : alk. paper)
020 $a025335692X (cloth : alk. paper)
035 0 $aocn696100054
040 $aDLC$cDLC$dYDX$dBTCTA$dIAD$dUKMGB$dYDXCP$dBWX$dDLC
042 $apcc
050 00 $aML3465$b.M45 2012
082 00 $a784.18/83509$223
100 1 $aMcKee, Eric,$d1961-
245 10 $aDecorum of the minuet, delirium of the waltz :$ba study of dance-music relations in 3/4 time /$cEric McKee.
260 $aBloomington :$bIndiana University Press,$cc2012.
300 $avii, 262 p. :$bill. ;$c24 cm.
490 1 $aMusical meaning and interpretation
504 $aIncludes bibliographical references (p. 243-255) and index.
505 0 $aInfluences of the early eighteenth-century ballroom minuet on the minuets from J. S. Bach's French suites, BWV 812-817 -- Mozart in the ballroom : minuet-trio contrast and the aristocracy in self-portrait -- The musical visions of Joseph Lanner and Johann Strauss Sr -- Dance and the music of Chopin : historical background -- The musical visions of Chopin -- Chopin's approach to waltz form.
520 $aMuch music was written for the two most important dances of the 18th and 19th centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to better understand the musical structures and expressive meanings of this dance music, one must be aware of the social contexts and bodily rhythms of the social dances upon which it is based. McKee approaches dance music as a component of a multimedia art form that involves the interaction of physical motion, music, architecture, and dress. Moreover, the activity of attending a ball involves a dynamic network of modalities--sight, sound, bodily awareness, touch, and smell, which can be experienced from the perspectives of a dancer, a spectator, or a musician. McKee considers dance music within a larger system of signifiers and points-of-view that opens new avenues of interpretation [Publisher description].
650 0 $aWaltzes$y18th century$xHistory and criticism.
650 0 $aMinuet (Dance)$y18th century.
650 0 $aWaltzes$y19th century$xHistory and criticism.
650 0 $aMinuet (Dance)$y19th century.
655 7 $aCriticism, interpretation, etc.$2fast
830 0 $aMusical meaning and interpretation.
899 $a415_565358
988 $a20120502
906 $0DLC