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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:171879876:1466
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.13.20150123.full.mrc:171879876:1466?format=raw

LEADER: 01466cam a2200349 a 4500
001 013145039-5
005 20120424114553.0
008 111108s2012 nyua b 001 0deng
010 $a 2011044921
020 $a9780857454416 (hardback : alk. paper)
020 $a0857454412 (hardback : alk. paper)
020 $a9780857454423 (ebook)
020 $a0857454420 (ebook)
035 0 $aocn759912339
035 $a(PromptCat)40020644117
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dERASA$dBWX
042 $apcc
050 00 $aPN2287.L65$bT46 2012
082 00 $a791.4302/8092$223
100 1 $aThomas, Sarah.
245 10 $aPeter Lorre, face maker :$bstardom and performance between Hollywood and Europe /$cSarah Thomas.
260 $aNew York :$bBerghahn Books,$c2012.
300 $a213 p. :$bill. ;$c24 cm.
490 1 $aFilm Europa: German cinema in an international context ;$vv. 12
500 $a"Berghahn on film" -- cover.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Lorre and the European stage (1922-1931) -- M, Fritz Lang and Hans Beckert -- The Hollywood leading roles (1935-1941) -- The supporting actor (1941-1946) -- Der Verlorene (The lost one) -- The final screen roles (1954-1964) -- Alternative 'Hollywood' media contexts -- Conclusion.
600 10 $aLorre, Peter$xCriticism and interpretation.
830 0 $aFilm Europa ;$vv. 12.
899 $a415_565471
988 $a20120403
906 $0DLC