MARC Record from harvard_bibliographic_metadata

LEADER: 04108cam a22004694a 4500
001 012998089-7
005 20120309192321.0
008 110819s2011 enk b 001 0 eng
010 $a 2011034102
016 7 $a015780466$2Uk
016 7 $a015780467$2Uk
020 $a9780230232389 (pbk.)
020 $a0230232388 (pbk.)
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020 $a023023237X
035 $a(PromptCat)99945995264
035 0 $aocn698330405
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dYDXCP$dUKMGB$dDEBBG$dBWX$dSLV$dIUL$dZCU$dCOO$dCDX
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050 00 $aPR6059.S5$bZ75 2011
082 00 $a823/.914$223
084 $aLIT004120$aLIT006000$aLIT000000$2bisacsh
084 $aHN 4775$2rvk
245 00 $aKazuo Ishiguro :$bnew critical visions of the novels /$cedited by Sebastian Groes and Barry Lewis.
260 $aHoundmills, Basingstoke, Hampshire, UK ;$aNew York :$bPalgrave Macmillan,$cc2011.
300 $axvii, 288 p. ;$c22 cm.
504 $aIncludes bibliographical references (p. 265-279) and index.
520 $a"This edited collection of new and insightful critical essays brings together a wide range of academics whose work stages a forum exploring the key aspects of Kazuo Ishiguro's novels. Featuring an interview with Ishiguro, this groundbreaking book is ideal for anyone studying the work of this major contemporary author"--$cProvided by publisher.
505 00 $tIntroduction: 'It's Good Manners Really': Kazuo Ishiguro and the ethics of empathy /$rSebastian Groes and Barry Lewis --$tKazuo Ishiguro's not too late modernism /$rPatricia Waugh --$tThe pedagogics of liminality: rites of passage in the work of Kazuo Ishiguro /$rVictor Sage --$tLost and found: on the Japanese translations of Kazuo Ishiguro /$rMotoyuki Shibata --$t'One Word from You Could Alter the Course of Everything': discourse and identity in Kazuo Ishiguro's fiction /$rKrystyna Stamirowska --$t'Putting one's convictions to the test': Kazuo Ishiguro's An Artist if the Floating World in Japan /$rMotoko Sugano --$t'Cemeteries are No Places for Young People': children and trauma in the early novels of Kazuo Ishiguro /$rCaroline Bennett --$t'I Can't Even Say I made My Own Mistakes': the ethics of genre in Kazuo Ishiguro's The Remains of the Day /$rMeghan Marie Hammond --
505 00 $tNovelistic practice and ethical philosophy in Kazuo Ishiguro's The Remains of the Day and Never Let Me Go /$rLydia R. Cooper --$tKazuo Ishiguro's The Remains of the Day: working through England's traumatic past as a critique of Thacherism /$rChristine Berberich --$tInto the labyrinth: Kazuo Ishiguro's surrealist poetics in The Unconsoled /$rJeannette Baxter --$t'Waiting for the performance to Begin': Kazuo Ishiguro's musical imagination in The Unconsoled and Nocturnes /$rGerry Smyth --$t'Into Ever Stranger Territories': Kazuo Ishiguro's The Unconsoled and minor literature /$rTim Jarvis --$t'In the End it has to Shatter': the ironic doubleness of Kazuo Ishiguro's When We Were Orphans /$rChristopher Ringrose --$t'Shanghaied' into service: double binds in When we were Orphans /$rAlyn Webley --$tThe concertina effect: unfolding Kazuo Ishiguro's Never Let Me Go /$rBarry Lewis --
505 00 $t'Something of a Lost Corner': Kazuo Ishiguro's landscapes of memory and East Anglia in Never Let Me Go /$rSebastian Groes --$t'This is what we're supposed to be doing, isn't it?': scientific discourse in Kazuo Ishiguro's Never Let Me Go /$rLiani Lochner --$tKazuo Ishiguro's Never Let Me Go and 'Outsider Science Fiction' /$rAndy Sawyer --$tThe new seriousness: Kazuo Ishiguro in conversation with Sebastian Groes.
650 7 $aLITERARY CRITICISM / General.$2bisacsh
650 7 $aLITERARY CRITICISM / Semiotics & Theory.$2bisacsh
650 7 $aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.$2bisacsh
600 10 $aIshiguro, Kazuo,$d1954-
600 17 $aIshiguro, Kazuo.$2swd
600 10 $aIshiguro, Kazuo,$d1954-$xCriticism and interpretation.
700 1 $aGroes, Sebastian.
700 1 $aLewis, Barry,$d1961-
899 $a415_565643
988 $a20111209
906 $0DLC