| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:699040775:1448 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01448cam a22003498a 4500
001 012819394-8
005 20110913161935.0
008 101105s2011 enkaf b 001 0 eng
010 $a 2010047376
015 $aGBB134110$2bnb
016 7 $a015771765$2Uk
020 $a9780754667919 (hardcover : alk. paper)
020 $a075466791X (hardcover : alk. paper)
020 $a9781409427933 (ebook)
020 $a1409427935 (ebook)
035 0 $aocn682920732
040 $aDLC$cDLC$dERASA$dYDXCP$dCDX$dBWX$dIUL$dVRC$dEQO$dTDF$dNGU$dUKMGB
050 00 $aML3849$b.D382 2011
082 00 $a700.1$222
100 1 $aDayan, Peter.
245 10 $aArt as music, music as poetry, poetry as art, from Whistler to Stravinsky and beyond /$cPeter Dayan.
260 $aFarnham, Surrey ;$aBurlington, VT :$bAshgate,$cc2011.
300 $aviii, 180 p., [8] p. of plates :$bill. (some col.) ;$c24 cm.
504 $aIncludes bibliographical references (p. [173]-176) and index.
505 0 $aIntroduction: the five laws of the interart aesthetic -- Whistler's poetry -- Satie's art -- Apollinaire's art -- Braque's music -- Ponge's music -- Stravinsky's poetry -- Conclusion: 'That's of course what poetry is': painting in Paris and London, December, 2009.
650 0 $aArt and music.
650 0 $aMusic and literature.
650 0 $aPoetry and the arts.
650 0 $aMusic$xPhilosophy and aesthetics.
988 $a20110706
049 $aHMUU
906 $0DLC