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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:689532885:3581
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:689532885:3581?format=raw

LEADER: 03581cam a2200373 i 4500
001 012811096-1
005 20130504133312.0
008 101004t20112011enka b 001 0 eng
010 $a 2010042729
020 $a9780521194648
020 $a0521194644
035 0 $aocn677972520
040 $aDLC$erda$cDLC$dYDX$dYDXCP$dERASA$dIL4J6
042 $apcc
050 00 $aPT1925$b.G63 2011
082 00 $a832/.6$222
084 $aDRA004000$2bisacsh
245 00 $aGoethe's Faust :$bTheatre of Modernity /$cedited by Hans Schulte, John Noyes and Pia Kleber.
260 $aCambridge :$bCambridge University Press,$c2011, ©2011.
300 $axiii, 332 p. :$billustrations ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
520 $a"Faust has been called the fundamental icon of Western culture, and Goethe's inexhaustible poetic drama is the centrepiece of its tradition in literature, music and art. In recent years, this play has experienced something of a renaissance, with a surge of studies, theatre productions, press coverage and public discussions. Reflecting this renewed interest, leading Goethe scholars in this volume explore the play's striking modernity within its theatrical framework. The chapters present new aspects such as the virtuality of Faust, the music drama, the modernization of evil, Faust's blindness, the gay Mephistopheles, classic beauty and horror as phantasmagoria, and Goethe's anticipation of modern science, economics and ecology. The book contains an illustrated section on Faust in modern performance, with contributions by renowned directors, critics and dramaturges, and a major interview with Peter Stein, director of the uncut 'millennium production' of Expo 2000"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aPt. I. Modernity: 1. Faust -- today Albrecht Schöne; 2. Mephisto and the modernization of evil Rolf-Peter Janz -- 3. Mephisto is the devil -- or is he? Peter Huber -- 4. 'Schwankende Gestalten': virtuality in Goethe's Faust Ulrich Gaier -- 5. Amnesia and anamnesis in Goethe's Faust Wolf-Daniel Hartwich -- 6. Cagliostro and Saint-Simon in Goethe's Faust II Hans-Jürgen Schings -- 7. Faust's blindness Eberhard Lämmert -- 8. From Faust to Harry Potter: discourses of the centaurs Gisela Brude-Firnau -- 9. Mistra and the Peloponnes in Goethe's Faust II Wilhelm Blum -- 10. Goethe and the grotesque: the 'classical Walpurgis night' Angela Borchert -- 11. Redefining classicism: antiquity in Faust II Ernst Osterkamp -- 12. Mephisto, the angels, and the homoerotic in Faust II W. Daniel Wilson -- Pt. II. Theatre: 13. Goethe's Faust: theatre, meta-theatre, tragedy Martin Swales -- 14. Faust beyond tragedy: hidden comedy, covert opera Dieter Borchmeyer -- 15. Theatricality and experiment: identity in Faust Jane Brown -- 16. Rhetorical action: Faust between rhetoric, poetics, and music Helmut Schanze -- 17. Directing Faust: an interview Peter Stein -- 18. A contradictory whole: Peter Stein stages Faust Dirk Pilz -- 19. Rethinking and staging Faust at the State Theatre Stuttgart, 2005/6 Jörg Bochow -- 20. Strehler's Faust in performance Laura Caretti -- Select bibliography
650 7 $aDRAMA / Continental European.$2bisacsh
600 10 $aGoethe, Johann Wolfgang von,$d1749-1832.$tFaust.
700 1 $aKleber, Pia,$eeditor.
700 1 $aNoyes, John K.$q(John Kenneth),$d1955-$eeditor.
700 1 $aSchulte, Hans,$d1935-$eeditor.
899 $a415_565577
988 $a20110621
906 $0DLC