MARC Record from harvard_bibliographic_metadata

LEADER: 02250cam a22004214a 4500
001 012051169-X
005 20090918115309.0
008 081223s2009 nyuag b 001 0 eng
010 $a 2008054795
015 $aGBA945859$2bnb
016 7 $a015176240$2Uk
020 $a9780231137768 (cloth : alk. paper)
020 $a0231137761 (cloth : alk. paper)
020 $a9780231137775 (pbk. : alk. paper)
020 $a023113777X (pbk. : alk. paper)
035 0 $aocn286516299
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dC#P$dBWX$dCDX
041 1 $aeng$hfre
050 00 $aPN1995.7$bC4513 2009
082 00 $a791.4302/4$222
082 4 $a808.823
100 1 $aChion, Michel,$d1947-
240 10 $aArt sonore, le cinema.$lEnglish
245 10 $aFilm, a sound art /$cMichel Chion ; translated by Claudia Gorbman.
250 $a[English ed.].
260 $aNew York :$bColumbia University Press,$cc2009.
300 $axii, 536 p. :$bill., music ;$c25 cm.
490 1 $aFilm and culture
504 $aIncludes bibliographical references and index.
505 0 $aHistory. When film was deaf (1895-1927) -- Chaplin: three steps into speech -- Birth of the talkies or of sound film? (1927-1935) -- Jean Vigo: the material and the ideal -- The ascendancy of king text (1935-1950) -- Babel -- The time it takes for time to "harden" (1950-1975) -- The return of the sensorial (1975-1990) -- The silence of the loudspeakers (1990-2003) -- On a sequence from The birds: sound film as palimpsestic art -- Aesthetics and poetics. Jacques Tati: the cow and the moo -- The disappointed fairies around the cradle -- The separation -- The real and the rendered -- The three borders -- Audiovisual phrasing -- Alfred Hitchcock: seeing and hearing -- The twelve ears -- Orson Welles: the voice and the house -- The talking machine -- Faces and speech -- Andrei Tarkovsky: language and the world -- The five powers -- God is a disc jockey -- Max Ophuls: music, noise, and speech -- Like tears in rain.
500 $aTranslated from the French.
650 0 $aSound motion pictures.
650 0 $aMotion pictures$xSound effects.
650 0 $aMotion pictures$xAesthetics.
830 0 $aFilm and culture.
988 $a20090807
049 $aHLSS
906 $0DLC