MARC Record from harvard_bibliographic_metadata

LEADER: 01885cam a22004697a 4500
001 012750815-5
005 20110627153227.0
008 100802s2010 be ag 000 0 eng d
010 $a 2010488650
020 $a9789058678287 (pbk.)
020 $a9058678288
035 0 $aocn657824681
040 $aUIU$cUIU$dUIU$dOHX$dNLGGC$dCDX$dERASA$dTDF$dYDXCP$dWCH$dBWX$dDLC
042 $alccopycat
050 00 $aMT49$b.P37 2010
072 7 $aML$2lcco
082 00 $a781.47$223
084 $a24.78$2bcl
245 00 $aPartimento and continuo playing in theory and in practice /$cThomas Christensen ... [et al.].
260 $aLeuven :$bLeuven University Press,$c2010.
300 $a136 p. :$bsome ill., music ;$c24 cm.
490 1 $aCollected writings of the Orpheus Institute ;$v#9
500 $aSeries numbering on spine.
500 $aCollected essays based on lectures given at the 4th International Orpheus Academy for Music Theory in 2006.
505 0 $aThoroughbass as music theory / Thomas Christensen -- Partimenti written to impart a knowledge of counterpoint and composition / Robert Gjerdingen -- Partimento-fugue : the Neapolitan angle / Giorgio Sanguinettti -- The playing of partimento / Rudolf Lutz.
504 $aIncludes bibliographical references.
650 0 $aPartimenti.
650 0 $aCounterpoint.
650 0 $aMusic theory$xHistory.
650 0 $aPerformance practice (Music)
650 0 $aContinuo.
650 0 $aComposition (Music)
650 0 $aMusical accompaniment.
650 0 $aMusic theory$xComposition$xHistory and criticism.
700 1 $aChristensen, Thomas Street.
711 2 $aInternational Orpheus Academy for Music Theory.
700 1 $aMoelants, Dirk,$d1946-
700 1 $aSnyers, Kathleen.
830 0 $aGeschriften van het Orpheus Instituut.$lEnglish ;$v#9.
899 $a415_565552
988 $a20110423
906 $0OCLC