MARC Record from harvard_bibliographic_metadata

LEADER: 01927cam a2200397 a 4500
001 012743221-3
005 20131113062249.0
008 101025s2011 ctua b 001 0 eng
010 $a 2010044915
020 $a9780819571328 (cloth : alk. paper)
020 $a0819571326 (cloth : alk. paper)
020 $a9780819571335 (pbk. : alk. paper)
020 $a0819571334 (pbk. : alk. paper)
020 $a9780819571342 (e-book)
020 $a0819571342 (e-book)
035 0 $aocn666220282
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dBWX
043 $an-us---
050 00 $aPN1995.9.N4$bS54 2011
082 00 $a791.43/652996073$222
100 1 $aSieving, Christopher.
245 10 $aSoul searching :$bBlack-themed cinema from the March on Washington to the rise of blaxploitation /$cChristopher Sieving.
260 $aMiddletown, Conn. :$bWesleyan University Press,$cc2011.
300 $ax, 265 p. :$bill. ;$c24 cm.
490 1 $aWesleyan film
500 $aBased on author's dissertation (doctoral) -- University of Wisconsin at Madison.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- The march on Hollywood: Gone are the days and the integration picture -- Ghetto travelogue: The cool world, Harlem, and the new American cinema -- The concessions of Nat Turner: the instant demise of the Black prestige picture -- The battle of Cleveland: Uptight and the urban Black revolution film -- Black Hollywood meets new Hollywood: The landlord and the racial impasse film of 1970 -- Conclusion: 1960s African American cinema and the birth of blaxploitation.
650 0 $aAfrican Americans in motion pictures.
650 0 $aAfrican Americans in the motion picture industry.
650 0 $aMotion pictures$zUnited States$xHistory$y20th century.
730 0 $aProject Muse UPCC books$5net
830 0 $aWesleyan film.
899 $a415_565232
988 $a20110503
906 $0DLC