Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:586465864:3191 |
Source | harvard_bibliographic_metadata |
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LEADER: 03191cam a2200421Ia 4500
001 012720506-3
005 20110913113608.0
006 juunn n
008 110304s2010 be g b 001 0 eng d
020 $a9782503533643
020 $a2503533647
028 00 $aMEW 0848$bMusique en Wallonie
028 00 $aMEW 0849$bMusique en Wallonie
035 0 $aocn705374263
040 $aCUZ$cCUZ$dMYG$dNUI$dBOS
090 $aML410.R255$bG3 2010
100 1 $aGallagher, Sean,$d1965-
245 10 $aJohannes Regis /$cSean Gallagher.
260 $aTurnhout :$bBrepols ;$a[Tours] :$bCentre d'études supérieures de la Renaissance,$cc2010.
300 $axi, 249 p. :$bmusic ;$c26 cm. +$e2 sound discs (digital ; 4 3/4 in.)
490 1 $aCollection Épitome musical
504 $aIncludes bibliographical references (p. [225]-240) and index.
500 $aIncludes two music sound compact discs Johannes Regis Opera omnia MEW 0848 (67:57) and MEW 0849 (58:36).
511 0 $aMusic on accompanying CDs performed by the Clerks ; Edward Wickham, conductor ; recorded at the chapel of St. Catherine College, Cambridge, [England], Aug. 27-30, 2007.
520 $aThe abundance of new information that has emerged since the mid 1980s concerning Ockeghem, Busnoys, Binchois, Du Fay and others has in many ways reshaped the landscape of mid fifteenth-century music. Meanwhile there have been major upheavals in our understanding of the works and careers of Josquin, Obrecht and other composers of the generation active during the last decades of the century. Regis's music and biography spans these two periods and two groups of composers in intriguing ways. On the one hand he is the only one among his contemporaries for whom extended personal contact with both Binchois and Du Fay, the two leading figures of the first half of the century, can be proposed with confidence. While on the other hand, Regis is the only composer of his generation to have several of his Latin-texted works published in Petrucci's prints of the early sixteenth century. Given this unusual profile, it now seems especially important to gain a clearer sense of Regis's career and to situate his works within the new historical picture.
505 00 $gContents of CDs:$tCelsitonantis ave Genitrix/Abrahae fit promissio --$tMissa Ecce ancilla Domini/Ne timeas Maria --$tAve Maria Virgo serena à 5 --$tAve Maria à 3 --$tLux solemnis/Repleti sunt omnes --$tClangat plebs --$tMissa L'homme armé/Dum sacrum mysterium --$tLauda Syon Salvatorem/Ego sum panis vivus --$tPuisque ma damme/Je m'en voy --$tS'il vous plaist --$tPatrem vilayge --$tO admirabile commercium/Verbum caro factum est.
600 10 $aRegis, Johannes,$dapproximately 1425-approximately 1496.
650 0 $aVocal music$y15th century$xHistory and criticism.
650 0 $aMasses, Unaccompanied$y15th century.
700 1 $aWickham, Edward.
700 1 $aRegis, Johannes,$dapproximately 1425-approximately 1496.$tWorks.$f2010.
710 2 $aClerks' Group.
710 2 $aCentre d'études supérieures de la Renaissance.
830 0 $aCollection "Epitome musical."
899 $a415_565552
988 $a20110317
049 $aHMUU
906 $0OCLC