| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:574241008:1944 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01944cam a2200385Ka 4500
001 012707709-X
005 20110408192646.0
008 100611s2010 enka bc 000 0deng d
010 $a 2010927364
015 $aGBB084568$2bnb
016 7 $a015601266$2Uk
020 $a9781857094978
020 $a1857094972
035 0 $aocn642214248
040 $aERASA$beng$cERASA$dOCLCQ$dYDXCP$dUKM$dCDX$dNGA$dCGU$dUKTTE$dBWX
050 00 $aND497.R54$bA4 2010
082 04 $a700.411.2
090 $aND497.R54$bA4 2010b
100 1 $aRiley, Bridget,$d1931-
245 10 $aBridget Riley :$bpaintings and related work /$cColin Wiggins, Michael Bracewell, Marla Prather.
246 30 $aPaintings and related works
260 $aLondon :$bNational Gallery Co. ;$a[New Haven, Conn.] :$bDistributed by Yale University Press,$c2010.
300 $a78 p. (1 fold.) :$bill. (chiefly col.) ;$c27 cm.
500 $aPublished on the occasion of an exhibition held at the National Gallery, London, Nov. 24, 2010-May 22, 2011.
504 $aIncludes bibliographical references (p. 74).
520 8 $a"Bridget Riley: Arcadia" will mark the artist's long engagement with the National Gallery. Colin Wiggins explains with great clarity and enthusiasm how the fluid lines of Renaissance and Baroque paintings, together with their palette of ochres, salmon, greens and light blues translate into the abstracted shapes that appear in Riley's paintings. Marla Prather looks at how the techniques and methods of modern masters such as Cezanne, Seurat and Matisse also act as an important influence in her paintings. Exhibition: National Gallery, London (16.11.2010).
600 10 $aRiley, Bridget,$d1931-
600 10 $aRiley, Bridget,$d1931-$vExhibitions.
700 1 $aWiggins, Colin.
700 1 $aBracewell, Michael,$d1958-
700 1 $aPrather, Marla.
710 2 $aNational Gallery (Great Britain)
899 $a415_565082
988 $a20110308
906 $0OCLC