Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:508821805:1472 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:508821805:1472?format=raw |
LEADER: 01472cam a2200349 a 4500
001 012646643-2
005 20110131130601.0
008 100713s2010 enka b 001 0 eng
010 $a 2010027498
015 $aGBB0A0928$2bnb
016 7 $a015634254$2Uk
020 $a9780230224629
020 $a0230224628
035 0 $aocn648480725
040 $aDLC$cDLC$dYDX$dYDXCP$dUKM$dCDX
043 $ae------$an-us---
050 00 $aPN2570$b.C64 2010
082 00 $a791.094$222
100 1 $aCohen, Matthew Isaac.
245 10 $aPerforming otherness :$bJava and Bali on international stages, 1905-1952 /$cMatthew Isaac Cohe.
260 $aHoundsmill, Basingstoke, Hampshire ;$aNew York :$bPalgrave Macmillan,$c2010.
300 $axii, 285 p. :$bill. ;$c23 cm.
490 1 $aStudies in international performance
504 $aIncludes bibliographical references (p. 256-275) and index.
505 0 $aIntroduction : the spectacle of otherness -- Mata Hari -- Wayang as technology -- Eva Gauthier, from Java to jazz -- Stella Bloch and 'up to date' Java -- Raden Mas Jodjana and company -- Magical identification with Bali in France -- Greater India -- Devi Dja goes Hollywood -- Aftermath : decolonization.
650 0 $aPerforming arts$zEurope$xIndonesian influences.
650 0 $aPerforming arts$zUnited States$xIndonesian influences.
830 0 $aStudies in international performance.
899 $a415_565699
988 $a20101222
049 $aHLSS
906 $0DLC