| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:507985268:1802 |
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008 100202s2010 ilua b 001 0 eng c
010 $a 2010004262
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016 7 $a015623211$2Uk
020 $a9780226388250 (cloth : alk. paper)
020 $a9780226388267 (pbk. : alk. paper)
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020 $a0226388263 (pbk. : alk. paper)
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050 00 $aN7480$b.I84 2010
082 00 $a707.2/2$222
100 1 $aIversen, Margaret.
245 10 $aWriting art history :$bdisciplinary departures /$cMargaret Iversen and Stephen Melville.
260 $aChicago :$bUniversity of Chicago Press,$c2010.
300 $ax, 243 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
520 $aSince art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.
505 0 $aWhat's the matter with methodology? -- Historical distance (bridging and spanning) -- On the limits of interpretation: Dürer's Melencolia I -- What the formalist knows -- The spectator: Riegl, Steinberg, and Morris -- The gaze in perspective: Merleau-Ponty, Lacan, Damisch -- Seeing and reading: Lyotard, Barthes, Schapiro -- Plasticity: the Hegelian writing of art -- Curriculum.
650 0 $aArt$xHistoriography.
650 0 $aArt$xHistory$xPhilosophy.
700 1 $aMelville, Stephen W.
899 $a415_565873
899 $a415_565082
988 $a20101222
906 $0OCLC