| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:466820818:1504 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:466820818:1504?format=raw |
LEADER: 01504cam a2200337 a 4500
001 012611519-2
005 20110502235314.0
008 090825s2010 nyua b 001 0 eng
010 $a 2009035453
015 $a09,N37,0592$2dnb
020 $a9781433108693 (clothbound : alk. paper)
020 $a1433108690 (clothbound : alk. paper)
035 0 $aocn434127101
040 $aDLC$cDLC$dDEBBG$dYDXCP$dC#P$dBWX$dCDX
050 00 $aPN3383.P37$bC47 2010
082 00 $a809.7$222
084 $a400$2sdnb
100 1 $aChambers, Robert,$d1943-
245 10 $aParody :$bthe art that plays with art /$cRobert Chambers.
260 $aNew York :$bPeter Lang,$cc2010.
300 $axiv, 266 p. :$bill. ;$c24 cm.
490 1 $aStudies in literary criticism & theory,$x1073-2004 ;$vv. 21
504 $aIncludes bibliographical references and index.
505 0 $aA beside-or-against song -- An example of ancient parody -- Parody and conventions -- Parodic yin, parodic yang -- Parodic reflexes -- Specific and general parody -- Parody and aesthetic theory, short version -- Parodic banging -- Parodic binding -- Parodic blending : mimicry -- Parodic blending : mutation -- Parodic blending and fringe parody -- Parodic innovation and modernism -- The art that plays with art.
650 0 $aParody$xHistory and criticism.
650 0 $aParody in literature.
650 0 $aCriticism.
830 0 $aStudies in literary criticism and theory ;$vv. 21.
899 $a415_565426
988 $a20101111
906 $0DLC