Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:398280894:1461 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:398280894:1461?format=raw |
LEADER: 01461cam a2200325 a 4500
001 012551321-6
005 20110113165140.0
008 100816s2010 enka b 001 0 eng
010 $a 2010533098
015 $aGBB052678$2bnb
016 7 $a015535226$2Uk
020 $a9780571237524 (pbk.)
020 $a0571237525 (pbk.)
035 0 $aocn501273587
040 $aUKM$cUKM$dDLC$dYDXCP$dCDX$dRRR$dUKWOH$dVP@$dHMU
042 $alccopycat
043 $ae-uk-en
050 00 $aML3650$b.Y68 2010
082 00 $a781.62/21$222
100 1 $aYoung, Rob,$d1968-
245 10 $aElectric Eden :$bunearthing Britain's visionary music /$cRob Young.
260 $aLondon :$bFaber and Faber,$c2010.
300 $aviii, 664 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references and index.
520 8 $aWhile ostensibly purporting to be a history of that much derided four-letter word 'folk', 'Electric Eden' provides a survey of the visionary, topographic and esoteric impulses that have driven the margins of British visionary folk music from Vaughan Williams and Holst to The Incredible String Band, Nick Drake and John Martyn. 'Electric Eden' maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism.
650 0 $aFolk music$zGreat Britain$xHistory and criticism.
899 $a415_565328
988 $a20100816
049 $aHMUU$od
906 $0OCLC