| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:298492415:1293 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:298492415:1293?format=raw |
LEADER: 01293cam a2200289Ia 4500
001 012323409-3
005 20140923170737.0
008 100921s2009 fr ag g 000 0 fre d
020 $a2911210972
020 $a9782911210976
035 0 $aoc664734820$zocm469633789
040 $aUIU$beng$cUIU$dAUXAM$dHEBIS$dOCLCQ
043 $ae-fr---
050 4 $aML3780
100 1 $aLagadic, Marie-Aline.
245 13 $aLe chant des sardinières :$bMerhed ar frituriou o kana /$cMarie-Aline Lagadic.
260 $a[Brest] :$bEmgleo Breiz,$c2009.
300 $a95 pages :$billustrations, music ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aThe texts of songs of sardine reflect the lives of these women in factories, who sang to keep the pace of work. They reflect the tradition of singing and changing mores in Bigouden. The book brings these traditional songs of workers in Lower Britain dating from 1860 to 1960 with their scores.
650 0 $aWomen$xEmployment$zFrance$zBigouden$xSongs and music$xHistory and criticism.
650 0 $aWork songs$zFrance$zBigouden$xHistory and criticism.
650 0 $aWorking class$zFrance$zBigouden$vSongs and music$xHistory and criticism.
988 $a20100420
906 $0OCLC