MARC Record from harvard_bibliographic_metadata

LEADER: 03957cam a2200385 a 4500
001 012316594-6
005 20100514225122.0
008 090814s2010 nyua 001 0 eng
010 $a 2009033082
020 $a9780231142922 (cloth : alk. paper)
020 $a0231142927 (cloth : alk. paper)
020 $a9780231142939 (pbk. : alk. paper)
020 $a0231142935 (pbk. : alk. paper)
020 $a9780231519892
020 $a0231519893
035 $a(PromptCat)99937148868
035 0 $aocn320798567
040 $aDLC$cDLC$dBTCTA$dC#P$dCDX$dHEBIS
050 00 $aPN1994$b.S535 2010
082 00 $a791.4$222
100 1 $aSikov, Ed.
245 10 $aFilm studies :$ban introduction /$cEd Sikov.
260 $aNew York :$bColumbia University Press,$cc2010.
300 $axiii, 212 p. :$bill. ;$c26 cm.
490 1 $aFilm and culture series
500 $aIncludes index.
505 0 $aIntroduction: Representation and reality -- Pt. 1: Mise-en-scene: Within the image -- What is mise-en-scene? -- The shot -- Subject-camera distance--why it matters -- Camera angle -- Space and time on film -- Composition -- Study guide: Analyzing the shot -- Writing about the image -- Pt. 2: Mise-en-scene: Camera movement -- Mobile framing -- Types of camera movement -- Editing within the shot -- Space and movement -- Study guide: Analyzing camera movement -- Writing about camera movement -- Pt. 3: Mise-en-scene: Cinematography -- Motion picture photography -- Aspect ratio: from I:33 to widescreen -- Aspect ratio: form and meaning -- Lighting -- Three-point lighting -- Film stocks: super 8 to 70mm to video -- Black, white, gray and color -- A word or two about lenses -- Study guide: Analyzing cinematography -- Writing About cinematography -- Pt. 4: Editing: From shot to shot -- Transitions -- Montage -- The Kuleshov experiment -- Continuity editing -- The 180⁰ system --
505 0 $aShot/reverse-shot pattern -- Study guide: Analyzing shot-to-shot editing -- Writing about editing -- Pt. 5: Sound -- A very short history of film sound -- Recording, rerecording, editing and mixing -- Analytical categories of film sound -- Sound and space -- Study guide: Hearing sound, Analyzing sound -- Writing about sound and soundtracks -- Pt. 6: Narrative: From scene to scene -- Study guide: Analyzing scene-to-scene editing -- Writing about narrative structure -- Pt.7: From screenplay to film -- Deeper into narrative structure -- Screenwriting: The three-act structure -- Segmentation: form -- Segmentation: meaning -- Study guide: story analysis and segmentation -- Writing about writing -- Pt. 8: Filmmakers -- Film--a director's art? -- Authorship -- The auteur theory -- The producer's role -- Teamwork -- Study guide: The problem of attribution -- Writing about directors -- Pt. 9: Performance -- Performance as an element of mise-en-scene -- Acting styles --
505 0 $aStars and character actors -- Type and stereotype -- Women as types -- Acting in--and on--film -- Publicity: extra-filmic meaning -- Study guide: Analyzing acting -- writing about acting -- Pt.10: Genre -- What is a genre? -- Conventions, repetitions, and variations -- A brief taxonomy of two film genres--the western and the horror film -- Genre: the semantic/syntactic approach -- Film noir: a case study -- Study guide: Genre analysis for the introductory student -- Writing about genres -- Pt.11: Special effects -- Beyond the ordinary -- Optical and mechanical special effects -- Computer-generated imagery (CGI) -- Study guide: Effects and meaning -- Writing about special effects -- Pt.12: Putting it together: A model 8- to 10-page paper -- How this chapter works -- "Introducing Tyler," / Robert Paulson.
650 0 $aMotion pictures.
650 07 $aFilmanalyse.$2swd
776 08 $iOnline version:$aSikov, Ed.$tFilm studies.$dNew York : Columbia University Press, c2010$w(OCoLC)760923798
830 0 $aFilm and culture.
988 $a20100409
906 $0DLC