| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:286170641:1384 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:286170641:1384?format=raw |
LEADER: 01384cam a2200325 a 4500
001 012265707-1
005 20100702094152.0
008 090506s2010 maua b 001 0 eng
010 $a 2009018942
015 $aGBB021663$2bnb
016 7 $a015483349$2Uk
020 $a9780262013888 (hardcover : alk. paper)
020 $a0262013886 (hardcover : alk. paper)
035 0 $aocn320895405
040 $aDLC$cDLC$dYDX$dERASA$dUKM$dYDXCP$dBWX$dCDX$dTTS$dDLC
050 00 $aNX456.5.N49$bG73 2010
082 00 $a709.04/07075$222
100 1 $aGraham, Beryl.
245 10 $aRethinking curating :$bart after new media /$cBeryl Graham and Sarah Cook ; foreword by Steve Dietz.
260 $aCambridge, Mass. :$bMIT Press,$cc2010.
300 $axv, 354 p. :$bill. ;$c24 cm.
490 1 $aLeonardo
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- The art formerly known as "new media" -- Space and materiality -- Time -- Participative systems -- Introduction to rethinking curating -- On interpretation, on display, on audience -- Curating in an art museum -- Other modes of curating -- Collaboration in curating -- Conclusions : histories, vocabularies, modes.
650 0 $aNew media art.
650 0 $aMuseums$xCuratorship.
700 1 $aCook, Sarah,$d1974-
830 0 $aLeonardo (Series) (Cambridge, Mass.)
988 $a20100406
906 $0DLC