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Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:262679954:2756
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:262679954:2756?format=raw

LEADER: 02756cam a2200421 a 4500
001 012244808-1
005 20120210122507.0
008 080917s2008 caua b 001 0 eng
010 $a 2008040899
015 $aGBA8B9930$2bnb
020 $a9781598743135 (hardback : alk. paper)
020 $a1598743139 (hardback : alk. paper)
020 $a9781598743142 (pbk. : alk. paper)
020 $a1598743147 (pbk. : alk. paper)
035 0 $aocn227015854
040 $aDLC$cDLC$dBTCTA$dYDXCP$dBAKER$dC#P$dBWX$dCDX$dIAY$dNTE$dAU@
050 00 $aGN790$b.T54 2008
082 00 $a930.1/4$222
100 1 $aTilley, Christopher Y.
245 10 $aBody and image /$cChristopher Tilley ; with assistance of Wayne Bennett.
260 $aWalnut Creek, Calif. :$bLeft Coast Press,$cc2008.
300 $a288 p. :$bill., maps ;$c24 cm.
490 1 $aExplorations in landscape phenomenology ;$v2
500 $a"This is the second book in a trilogy of volumes on landscape phenomenology following on from the first volume, The materiality of stone"--P. 11.
504 $aIncludes bibliographical references (p. 273-282) and index.
505 0 $aBody and image -- Vingen -- Ireland -- Norrköping -- Conclusions.
520 1 $a"The understanding and interpretation of ancient architecture, landscapes, and art has always been viewed through an iconographic lens - a cognitive process based on traditional practices in art history. But ancient people did not ascribe their visions on canvas, rather on hills, stones, and fields. Thus, Chris Tilley argues, the iconographic approach falls short of understanding how ancient people interacted with their imagery."
520 8 $a"A kinaesthetic approach, one that uses the full body and all the senses, can better approximate the meaning that these artifacts had for their makers and today's viewers. The body intersects the landscape in a myriad of ways - through the effort to reach the image, the angles that one can use to view, the multiple senses required for interaction. Tilley outlines the choreographic basis of understanding ancient landscapes and art phenomenologically, and demonstrates the power of his thesis through examples of rock art and megalithic architecture in Norway, Ireland, and Sweden."--Jacket.
650 0 $aMegalithic monuments.
650 0 $aArchitecture, Prehistoric.
650 0 $aPetroglyphs.
650 0 $aLand settlement patterns, Prehistoric.
700 1 $aBennett, Wayne,$d1954-
700 12 $aTilley, Christopher Y.$tMateriality of stone.
776 08 $iOnline version:$aTilley, Christopher Y.$tBody and image.$dWalnut Creek, Calif. : Left Coast Press, ©2008$w(OCoLC)653377583
830 0 $aExplorations in landscape phenomenology ;$v2.
988 $a20100316
906 $0DLC