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Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:220039531:2379
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:220039531:2379?format=raw

LEADER: 02379nam a22003138a 4500
001 012199853-3
005 20131113060750.0
008 090901s2010 ctua b 001 0 eng
010 $a 2009035924
020 $a9780819569394 (cloth : alk. paper)
020 $a9780819569400 (p : alk. paper)
035 0 $aocn430841303
040 $aDLC$cDLC
043 $aa-ko---
050 00 $aPN1993.5.K6$bC4845 2010
082 00 $a791.43095195$222
100 1 $aChoi, Jinhee.
245 14 $aThe South Korean film renaissance :$blocal hitmakers, global provocateurs /$cJinhee Choi.
260 $aMiddletown, Conn. :$bWesleyan University Press,$c2010.
300 $a252 p. :$bill. ;$c24 cm.
490 0 $aWesleyan film
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Faces of globalization -- Blockbusters, Korean style -- No blood? no tears!: gangster cinema -- I'm not a girl, yet not a woman: romance films -- Once upon a time in high school: teen pics -- Not just metteurs-en-scène?: "high-quality" films -- Riding the new wave.
520 $aFor the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis—triggered in part by globalizing processes in the world film industry—into a fiscal and cultural boom. Jinhee Choi examines the ways in which Korean film production companies, backed by affluent corporations and venture capitalists, concocted a variety of winning production trends. Through close analyses of key films, Choi demonstrates how contemporary Korean cinema portrays issues immediate to its own Korean audiences while incorporating the transnational aesthetics of Hollywood and other national cinemas such as Hong Kong and Japan. Appendices include data on box office rankings, numbers of films produced and released, market shares, and film festival showings. -- Back cover.
650 0 $aMotion pictures$zKorea (South)
650 0 $aMotion picture industry$zKorea (South)
730 0 $aProject Muse UPCC books$5net
988 $a20100210
906 $0DLC