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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:179371677:2388
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:179371677:2388?format=raw

LEADER: 02388cam a2200457 a 4500
001 012163133-8
005 20110606120236.0
008 090619s2009 enka b 000 0 eng
015 $aGBA963092$2bnb
015 $aGBA963092$2dnb
016 7 $a015298018$2Uk
020 $a9781844673438 (hbk.)
020 $a184467343X (hbk.)
035 0 $aocn286419979
040 $aUKM$cUKM$dBTCTA$dYDXCP$dBWKUK$dVP@$dALAUL$dNDD$dDEBBG$dCDX$dVRC
041 1 $aeng$hfre
042 $aukblcatcopy
050 4 $aNX220$b.R3613 2009
082 04 $a700.1$222
084 $a5,1$2ssgn
084 $aCI 5400$2rvk
100 1 $aRancière, Jacques.
245 14 $aThe emancipated spectator /$cJacques Ranciere.
260 $aLondon :$bVerso,$cc2009.
300 $a134 p. :$bill. ;$c21 cm.
504 $aIncludes bibliographical references.
505 0 $a1. The Emancipated Spectator -- 2. The Misadventures of Critical Thought -- 3. Aesthetic Separation, Aesthetic Community -- 4. The Intolerable Image -- 5. The Pensive Image.
520 $aIn this title, the foremost philosopher of art argues for a new politics of seeing. The role of the viewer in art and film theory revolves around a theatrical concept of the spectacle. The masses subjected to the society of spectacle have traditionally been seen as aesthetically and politically passive - in response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a performance. In this follow-up to the acclaimed "The Future of the Image", Ranciere takes a radically different approach to this attempted emancipation. Beginning by asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, instead, a melancholic affirmation of their omnipotence?
546 $aTranslated from the French.
650 0 $aAesthetics.
650 0 $aImage (Philosophy)
650 0 $aRepresentation (Philosophy)
650 0 $aArts audiences$xPsychology.
650 0 $aArt appreciation$xPhilosophy.
650 07 $aEmanzipation (Motiv)$2swd
650 07 $aKunstbetrachtung.$2swd
650 07 $aPassivität (Motiv)$2swd
650 07 $aÄsthetik.$2swd
988 $a20091218
049 $aHLSS
906 $0OCLC