MARC Record from harvard_bibliographic_metadata

LEADER: 02137cam a22004334a 4500
001 012163079-X
005 20131113045017.0
008 090417s2010 pau b 001 0 eng
010 $a 2009016342
015 $aGBA984825$2bnb
016 7 $a015357592$2Uk
020 $a9781592137282 (cloth : alk. paper)
020 $a1592137288 (cloth : alk. paper)
020 $a9781592137299 (pbk. : alk. paper)
020 $a1592137296 (pbk. : alk. paper)
035 0 $aocn317462402
040 $aDLC$cDLC$dBTCTA$dUKM$dC#P$dCDX
043 $aa-ph---
050 00 $aGR325$b.G66 2010
082 00 $a793.3/19599$222
100 1 $aGonzalves, Theodore S.
245 14 $aThe day the dancers stayed :$bperforming in the Filipino/American diaspora /$cTheodore S. Gonzalves.
260 $aPhiladelphia :$bTemple University Press,$c2010.
300 $axii, 215 p. ;$c21 cm.
504 $aIncludes bibliographical references and index.
505 0 $aThe art of the state : inventing Philippine folkloric forms (Manila, 1934) -- "Take it from the people" : dancing diplomats and cultural authenticity (Brussels, 1958) -- Dancing into oblivion : the Pilipino cultural night (Los Angeles, 1983) -- Repetitive motion : the mechanics of reverse exile (San Francisco, 1993) -- Making a mockery of everything we hold true and dear : exploring parody with Tongue in a Mood's PCN salute (San Francisco, 1997).
520 $a"[S]cholar and performer Theodore Gonzalves traces a genealogy of performance repertoire from the 1930s to the present and considers the relationship between the invention of performance repertoire and the development of diasporic identification."--Back cover.
650 0 $aFolklore$zPhilippines$xPerformance.
650 0 $aFolk dancing, Philippine.
650 0 $aFolk music$zPhilippines.
650 0 $aNational characteristics, Philippine.
650 0 $aFilipino Americans$xHistory.
650 0 $aFilipino Americans$xSocial life and customs.
650 0 $aFolklore$xPerformance$zPhilippines.
655 7 $aHistory.$2fast
730 0 $aProject Muse UPCC books$5net
988 $a20091218
049 $aHLSS
906 $0DLC