Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:172386938:2839 |
Source | harvard_bibliographic_metadata |
Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:172386938:2839?format=raw |
LEADER: 02839cam a2200313Ia 4500
001 012149902-2
005 20100129140958.0
008 050222s2005 njua bk 001 0 eng
020 $a1592211771
020 $a9781592211777
035 0 $aocm57709805
040 $aIOH$cIOH$dIAY$dOCLCQ$dYDXCP$dOCLCG
043 $acc-----
050 4 $aML3565$b.M87 2005
082 4 $a780.98
245 00 $aMusic, writing, and cultural unity in the Caribbean /$cedited by Timothy J. Reiss.
260 $aTrenton, N.J. :$bAfrica World,$c2005.
300 $aviii, 424 p. :$bill. (some col.) ;$c23 cm.
504 $aIncludes bibliographical references, discography (p. 405) and index.
505 00 $tIntroduction: Music, writing, and ocean circuits /$rTimothy J. Reiss --$tCinquillo consciousness: the formation of a Pan-Caribbean musical aesthetic /$rSara E. Johnson --$tReading caribbean music: reflections on the music of Leo Brouwer /$rPaul B. Miller --$tAfricanity and continuum in sacred and popular Trinidadian musical forms /$rAmon Saba Saakana --$tThe ties that bind? Rhythm, writing, and the question of heredity in the Caribbean /$rRudyard Alcocer --$t"Soy mestiza y no lo soy": Gonzalo Roig's musical re(vision) of Cecilia Valdés /$rLucy D. Harney --$tThe spaces and faces of music and dance in early modern Havana /$rLuz Mena --$tDrum and minuet: music, masquerade, and the mulatto of style /$rGordon Rohlehr --$tCalypso aesthetic in George Lamming's In the castle of my skin /$rMargaret Diana Gill --$tForging a distinctive sensibility: Babylon by bus /$rKwame Dawes --$t"More fire": chanting down Babylon from Bob Marley to Capleton /$rCarolyn Cooper --$tStreet romances: salsa's voyeurism /$rJuan Otero Garabìs --$tIn Cortijo's wake: Crónica and popular music /$rJuan Flores --$tCuba, the night, and the music: Guillermo Cabrera Infante's Havana Son et lumière /$rChristopher Winks --$tDancehall lyricism /$rNatasha Barnes --$tCréolité's queer mangrove /$rJarrod Hayes --$tHow to read a novel from Curaçao? The perception of history in Diana Lebac's The longest month /$rIneke Phaf-Rheinberger --$tParent tongue: Caribbean women poets and female musicians sounding landscapes /$rOpal Palmer Adisa --$tCaribbean dirges: rising rhythms, precarious prospects /$rSilvio Torres-Saillant --$tPiggyback exchange: Kassav' and black musicians in Paris /$rBrenda F. Berrian.
650 0 $aMusic$zCaribbean Area$xHistory and criticism.
650 0 $aCaribbean literature$xHistory and criticism.
651 0 $aCaribbean Area$xCivilization.
655 7 $aAufsatzsammlung.$2swd
655 7 $aCriticism, interpretation, etc.$2fast
700 1 $aReiss, Timothy J.,$d1942-
776 08 $iOnline version:$tMusic, writing, and cultural unity in the Caribbean.$dTrenton, N.J. : Africa World, 2005$w(OCoLC)894925839
988 $a20091218
906 $0OCLC