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Record ID harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:165495322:2514
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:165495322:2514?format=raw

LEADER: 02514cam a2200361Ka 4500
001 012144009-5
005 20100105100454.0
008 090521s2009 mdua b 001 0 eng d
010 $a 2009928967
020 $a9780761846321
020 $a0761846328
020 $a9780761846338 (e-ISBN)
020 $a0761846336 (e-ISBN)
035 0 $aocn351309049
040 $aBTCTA$cBTCTA$dYDXCP$dBWX$dOCLCQ
050 4 $aPN1995.9.M39$bJ33 2009
082 0 $a808.823
100 1 $aJacobs, Del.
245 10 $aInterrogating the image :$bmovies and the world of film and television /$cDel Jacobs.
260 $aLanham :$bUniversity Press of America,$cc2009.
300 $aiii, 276 p. :$bill. ;$c23 cm.
504 $aIncludes bibliographical references (p. 255-259) and index.
505 0 $aThe audience -- Movies about movies : the reflexive/reflective stance -- Movies about television : the critical stance -- Movies about the surreal in media : the ironic stance -- Life as movie -- Epilogue : The sixth generation audience.
520 1 $a"Interrogating the Image argues that movies examining the role film and television plays in the lives of their audience have created changes both in the movies themselves and in their viewers, and considers fourteen films where the moving picture is central to the narratives. Three films discussed - The Purple Rose of Cairo, Pleasantville, and The Truman Show - offer frame-breaking experiences for their characters that allow spectators to appreciate the ruptures between lived reality and media-play, delivering therapeutic payoffs that can be restorative, reconstructive, or rejective. Other examples come from the worlds of cinema (The Majestic, Matinee, Cinema Paradiso), television (Bamboozled, Network, Natural Born Killers, Medium Cool), and the sociopolitical realm where media dominates (Being There, Wag the Dog, Bob Roberts, Bulworth). Meanwhile, significant interpretive stances - reflective/reflexive, critical, and ironic - are engendered and embraced by filmmakers and audiences who create and consume these works. The result is a media-saturated culture, in transformation and best understood using cinema's interrogative resources".--Book jacket.
650 0 $aMass media in motion pictures.
650 0 $aTelevision in motion pictures.
650 0 $aMotion pictures$xHistory.
650 0 $aMotion picture audiences.
650 0 $aTelevision viewers.
650 0 $aTelevision$xHistory.
655 7 $aHistory.$2fast
988 $a20091211
906 $0OCLC