| Record ID | harvard_bibliographic_metadata/ab.bib.12.20150123.full.mrc:162369172:1659 |
| Source | harvard_bibliographic_metadata |
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001 012141271-7
005 20100111081923.0
008 090415s2010 enka bq 001 0 eng
010 $a 2009014858
015 $aGBA8B1667$2bnb
016 7 $a014760106$2Uk
020 $a0415455367 (hbk.)
020 $a9780415455367 (hbk.)
020 $a0415455375 (pbk.)
020 $a9780415455374 (pbk.)
020 $a0203868471 (ebk.)
020 $a9780203868478 (ebk.)
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043 $aa-ir---
050 00 $aPN1993.5.I846$bZ49 2010
082 00 $a384/.80955$222
100 1 $aZeydabadi-Nejad, Saeed.
245 14 $aThe politics of Iranian cinema :$bfilm and society in the Islamic Republic /$cSaeed Zeydabadi-Nejad.
260 $aLondon ;$aNew York :$bRoutledge,$c2010.
300 $ax, 190 p. :$bill. ;$c24 cm.
490 1 $aIranian studies ;$v6
500 $aBased on the author's thesis (doctoral)--School of Oriental and African Studies, 2006.
504 $aFilmography: p. [182]-184.
504 $aIncludes bibliographical references (p. [165]-181) and index.
505 0 $aIntroduction -- State control of Iranian cinema : the shifting 'red lines' -- 'Social films' -- 'Women's films' -- Transnational circulation and national perceptions : art films in the Iranian context -- Conclusion.
650 0 $aMotion pictures$xSocial aspects$zIran.
650 0 $aMotion pictures$xPolitical aspects$zIran.
650 0 $aMotion picture industry$xGovernment policy$zIran.
830 0 $aIranian studies (London, England) ;$v6.
988 $a20091208
049 $aHLSS
906 $0DLC