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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:881831703:1287
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:881831703:1287?format=raw

LEADER: 01287cam a22003254a 4500
001 011990045-9
005 20091120150852.0
008 080619s2009 enkg b 001 0 eng
010 $a 2008027675
015 $aGBA928256$2bnb
016 7 $a014932439$2Uk
020 $a9780195372397 (alk. paper)
020 $a0195372395 (alk. paper)
035 0 $aocn232536778
040 $aDLC$cDLC$dBTCTA$dYDXCP$dUKM$dC#P$dCDX$dBWX$dOCLCQ$dIUL$dDLC
042 $apcc
050 00 $aML410.M23$bJ65 2009
082 00 $a780.92$222
100 1 $aJohnson, Julian.
245 10 $aMahler's voices :$bexpression and irony in the songs and symphonies /$cJulian Johnson.
260 $aOxford ;$aNew York :$bOxford University Press,$c2009.
300 $axiv, 361 p. :$bmusic ;$c24 cm.
504 $aIncludes bibliographical references (p. 337-347) and index.
505 0 $aMahler and the musical voice -- Calling forth a voice -- Constructing a voice -- Plural voices -- Genre and voice -- Ways of telling -- Vienna, modernism, and modernity -- Performing authenticity.
600 10 $aMahler, Gustav,$d1860-1911.$tSongs.
600 10 $aMahler, Gustav,$d1860-1911.$tSymphonies.
650 0 $aSongs, German$zAustria$xHistory and criticism.
650 0 $aSymphony$zAustria.
988 $a20090602
906 $0DLC