MARC Record from harvard_bibliographic_metadata

LEADER: 01722cam a22003734a 4500
001 011932568-3
005 20090501171954.0
008 081016s2009 mnua b s001 0 eng
010 $a 2008045191
015 $aGBA8B6412$2bnb
016 7 $a014771607$2Uk
020 $a9780816642816 (hc : alk. paper)
020 $a0816642818 (hc : alk. paper)
020 $a9780816642823 (pb : alk. paper)
020 $a0816642826 (pb : alk. paper)
035 0 $aocn229031058
040 $aDLC$cDLC$dUKM$dBTCTA$dBAKER$dYDXCP$dC#P$dBWX$dCDX
043 $an-us---
050 00 $aPN1995.9.S5535$bS35 2009
082 00 $a791.43/657$222
100 1 $aSchleier, Merrill.
245 10 $aSkyscraper cinema :$barchitecture and gender in American film /$cMerrill Schleier.
260 $aMinneapolis :$bUniversity of Minnesota Press,$cc2009.
300 $axviii, 367 p. :$bill. ;$c26 cm.
504 $aIncludes bibliographical references (p. 283-344) and index.
505 0 $aIntroduction: Constructing the American skyscraper film -- From stumbling blocks to stepping stones : Harold Lloyd's skyscraper films -- Icons of exploitation : gender and class disharmony in the Depression-era skyscraper office -- Masculine heroes, modernism, and political ideology in The fountainhead and The big clock -- Mid-century corporate renewal and gender realignment in Executive suite and Desk set -- Postscript: Recent skyscraper films.
650 0 $aSkyscrapers in motion pictures.
650 0 $aSex role in motion pictures.
650 0 $aMasculinity in motion pictures.
650 0 $aSocial classes in motion pictures.
650 0 $aMotion pictures$zUnited States$xHistory$y20th century.
988 $a20090410
049 $aHLSS
906 $0DLC