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Record ID harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:704925430:3060
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.11.20150123.full.mrc:704925430:3060?format=raw

LEADER: 03060cam a2200541 a 4500
001 011798317-9
005 20140910154310.0
008 080915s2009 au ag b 001 0 eng d
010 $a 2008937485
020 $a321175539X
020 $a9783211755396
035 0 $aocn233933272
040 $aBTCTA$cBTCTA$dDLC$dBAKER$dYDXCP$dOHX$dNUI$dIXA$dCDX$dMUQ$dVRC
042 $alccopycat
050 00 $aMT56$b.N54 2009
100 1 $aNierhaus, Gerhard.
245 10 $aAlgorithmic composition :$bparadigms of automated music generation /$cGerhard Nierhaus.
260 $aWien ;$aNew York :$bSpringer,$cc2009.
300 $ax, 287 p. :$bill., music ;$c25 cm.
504 $aIncludes bibliographical references and index.
505 0 $aHistorical development of algorithmic procedures -- Markov models -- Generative grammars -- Transition networks -- Chaos and self-similarity -- Genetic algorithms -- Cellular automata -- Artificial neural networks -- Artificial intelligence -- Final synopsis.
520 $aAlgorithmic composition – composing by means of formalizable methods – has a century old tradition not only in occidental music history. This is the first book to provide a detailed overview of prominent procedures of algorithmic composition in a pragmatic way rather than by treating formalizable aspects in single works. In addition to an historic overview, each chapter presents a specific class of algorithm in a compositional context by providing a general introduction to its development and theoretical basis and describes different musical applications. Each chapter outlines the strengths, weaknesses and possible aesthetical implications resulting from the application of the treated approaches. Topics covered are: markov models, generative grammars, transition networks, chaos and self-similarity, genetic algorithms, cellular automata, neural networks and artificial intelligence are covered. The comprehensive bibliography makes this work ideal for the musician and the researcher alike.
650 0 $aComputer composition.
650 0 $aComposition (Music)
650 0 $aMusic theory$xMathematics.
650 0 $aMusical analysis.
650 0 $aPattern formation (Physical sciences)
650 0 $aAlgorithms.
650 0 $aSoft computing.
650 0 $aMusic$y20th century$xPhilosophy and aesthetics.
650 0 $aMusic$y20th century$xHistory and criticism.
650 6 $aComposition (Musique) par ordinateur.
650 6 $aComposition (Musique)
650 6 $aThéorie musicale$xMathématiques.
650 6 $aAnalyse musicale.
650 6 $aFormation des structures (Sciences physiques)
650 6 $aAlgorithmes.
650 6 $aInformatique douce.
650 6 $aMusique$y20e siècle$xPhilosophie et esthétique.
650 6 $aMusique$y20e siècle$xHistoire et critique.
650 0 $aComputer science$xMathematics.
650 0 $aInformation systems.
650 0 $aLogic, Symbolic and mathematical.
650 0 $aMathematics.
650 0 $aMusic.
988 $a20090106
049 $aHMUU
906 $0OCLC